Girl Punches Out (An Emily Kane Adventure Book 2)
I am a little bit disappointed in that she's in her third year at the Naval Academy. Since the Naval Academy was mentioned in book 1 I kept blazing through the stories to get to the part where she gets there. One thing that I thought would have been a natural step in the story line was having Connie teach Em some trade craft spy stuff. Some authors particularly in the YA genres sort of gloss over how important training is and don't really explain how the character has skills that don't necessarily match their stereotypical character backgrounds teenager.
That said, I think that you kind of glossed over Em's proficiency riding motorcycles, as AFAIK her father asked her if she could ride and she told him she could figure it out, which she did very quickly. Also you had her get a new driver's license but not a Motorcycle license. I know this is essentially a martial arts series of books, and a lot of the genre conventions that martial arts movies have in regards to guns vs melee, however I think you could have extended the genre conventions to throwing knives vs guns at the climatic battle of book 3.
Also, depending on you view, since she is going to in the military, you may want to explore firearms training with Em, maybe some Zen sharpshooting or something. For reference, if you want to keep the same kind of martial arts feel there is a Steven Segal video on that cop show where he is teaching another cop how to shoot betting and incorporating some martial arts philosophy.
FYI firearms training is both easier and harder than what most people think it is. Thanks for the story ideas, Beau. They sound great. I'm already planning a "Connie" book, which will address some of your concerns about Emily's training. I totally agree with you about the importance of showing what training looks like, and a shooting montage could be wonderful. I can imagine scenes where they go hunting together, but it's really about sniper training and field stripping weapons, etc.
But, you're right, she does need to learn about everything, even take a professional soldier's view of her tools. I decided to finesse the motorcycle technicalities, for fear that the paperwork travails might have gotten tedious. But I assumed all along that she already knew how to ride. When her father wonders about it, and she asks about how to clutch, she's really just teasing him--and he deserves it for not having more confidence in her.
And when he says "Oh, Lord" he's admitting it. Maybe I should have made that exchange more explicit. I always worry that I'm too ham-handed as a writer, but maybe that scene needs some more pork. I feel the same thing about I enjoyed that one maybe more than all the others--though the climax of 3 may have been the most fun to write. I wrote 4 as a short story contribution to an anthology put together by some friends--they actually made me edit, by the end!
And after the anthology was out there, I realized that it gave me a way to go forward with her story. Now, in hindsight, I can see that it really could be a longer story, maybe even a full-length novel. All his life Mr. Hearst bought, bought, bought—whatever touched his fancy. He purchased newspapers, Egyptian mummies, a California mountain range, herds of Tibetan yaks. He picked up a Spanish abbey, had it knocked down, crated, shipped to New York, and never has seen it since.
Then he will only last about thirty years. I did lose a million dollars last year. I expect to lose a million dollars this year. I expect to lose a million dollars next year. You know, Mr. To audiences in , Thatcher, appearing at the congressional-committee hearing, was obviously J. Mankiewicz could hardly improve on the most famous of all Hearst stories, so he merely touched it up a trifle. According to many accounts, Hearst, trying to foment war with Spain, had sent Richard Harding Davis to Havana to write about the Spanish atrocities and Frederick Remington to sketch them.
Remington grew restless there and sent Hearst a telegram:. Kane buys a newspaper in New York and sets out to be a great social reformer. But even at 25 he is unscrupulous and wangles the U. You see, I have money and property. This episode is perversely entertaining but not convincing. Attaching the other scandals to him made him seem the epitome of the powerful and spoiled, and thus stand for them all. George S. Mankiewicz was working overseas for the Chicago Tribune , a paper owned by the McCormicks who dominated the Midwest newspaper world , when Harold McCormick and his wife, Edith Rockefeller McCormick, were divorced, in Mankiewicz combined this scandal with a far more widely publicized event that occurred a few years later, replacing Hearst and Cosmopolitan Pictures with Samuel Insull and his building of the Chicago Civic Opera House.
After the McCormick-Rockefeller divorce, their joint largesse to opera ended, and the deficits were a big problem. The opening of the new opera house was scheduled for November 4, ; six days before, on October 29th, the stock market crashed.enter site
The opening took place during the panic, with plainclothesmen and eight detective-bureau squads guarding the bejewelled patrons against robbers, rioters, and the mobsters who more or less ran the city. The former Mrs. Opera and the Insulls provided cover for Mankiewicz and Welles. George J. No one was expected to be fooled; it was simply a legal maneuver.
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The Kane amalgam may also contain a dab or two from the lives of other magnates, such as Frank Munsey and Pulitzer, and more than a dab from the life of Jules Brulatour, who got his start in business by selling Eastman Kodak film. After she failed as a movie actress, Brulatour financed her career at the Chicago Opera Company at the end of the twenties, and then, using his power to extend credit to movie companies for film stock, he pushed the near-bankrupt Universal to star her in a disaster, in which she sang eight songs.
After her divorce from Harry K. The handling of Susan Alexander is a classic of duplicity. By diversifying the material and combining several careers, Mankiewicz could protect himself. They were a feature of San Simeon; the puzzles, which sometimes took two weeks to complete, were set out on tables in the salon, and the guests would work at them before lunch.
He provided bits that had a special frisson for those in the know.
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But, in his adoration, he insisted that the Hearst press overpublicize her and overpraise her constantly, and the public in general got wise. A typical Davies film would open with the theatre ventilating system pouring attar of roses at the audience, or the theatre would be specially redecorated, sometimes featuring posters that famous popular artists had done of her in the costumes of the picture.
Charity functions of which she was the queen would be splashed all over the society pages, and the movie would be reviewed under eight-column headlines. The wide range of her stellar acting is something to marvel at. Every man, woman and child in New York City ought to see this splendid picture. I must pay my tribute to the geniuses in all lines who created such a masterpiece. When the toadying and praise were already sickening, Hearst fell for one of the dumbest smart con tricks of all time: A young movie reviewer named Louella O.
Other actresses were pushed to stardom and were accepted. Leading men were afraid to kiss her; Hearst was always watching. The pictures were all expensively produced, and most of them were financial failures. Marion Davies was a mimic and a parodist and a very original sort of comedienne, but though Hearst liked her to make him laugh at home, he wanted her to be a romantic maiden in the movies, and—what was irreconcilable with her talent—dignified. Like Susan, she was tutored, and he spent incredible sums on movies that would be the perfect setting for her. He appears to have been sincerely infatuated with her in old-fashioned, sentimental, ladylike roles; he loved to see her in ruffles on garden swings.
King Vidor has described the conference that Louis B. Mayer called so that Vidor could make his case to Hearst for the plot necessity of the pie. Right from the start of movies, it was a convention that the rich were vulgarly acquisitive but were lonely and miserable and incapable of giving or receiving love. As a mass medium, movies have always soothed and consoled the public with the theme that the rich can buy everything except what counts—love. This simplification has enabled ambitious bad writers to make reputations as thinkers, and in the movies of the forties it was given a superficial plausibility by popular Freudianism.
Hideous character defects traceable to childhood traumas explained just about anything the authors disapproved of. Mankiewicz certainly knew better, but as a screenwriter he dealt in ideas that had popular appeal. Hearst was a notorious anti-union, pro-Nazi Red-baiter, so Kane must have a miserable, deformed childhood. This convention almost invariably pleased audiences, because it also demonstrated the magic of movies—the kids so extraordinarily resembled the adult actors they would turn into.
That rather old-fashioned view of the predestination of character from childhood needed only a small injection of popular Freudianism to pass for new, and if you tucked in a trauma, you took care of the motivation for the later events. Thus Kane was emotionally stunted.
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But I remember Hearst in almost terrifying detail, with the kind of memory I generally have only for movies. He was dinner-dancing, just like us, except that his table was a large one. He was seated with Marion Davies and his sons with their wives or dates; obviously, it was a kind of family celebration. It was like stumbling onto Caligula, and Hearst looked like a Roman emperor mixing with the commoners on a night out. He was a huge man—six feet four or five—and he was old and heavy, and he moved slowly about the dance floor with her.
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When he danced with Marion Davies, he was indifferent to everything else. They looked isolated and entranced together; this slow, huge dinosaur clung to the frowzy-looking aging blonde in what seemed to be a ritual performance.
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He seemed unbelievably old to me that night, when he was probably about seventy-five; they were still together when he died, in , at the age of eighty-eight. He was well loved, and still he was a dangerous demagogue. And, despite what Charles A. Even Mrs. Luce came; the pictures of Hearst on the walls at Time-Life might show him as an octopus, but who could resist an invitation? Nor did Hearst lose his attraction or his friends after he lost his big money. After San Simeon was stripped of its silver treasures, which were sold at auction in the thirties, the regal-party weekends were finished, but he still entertained, if less lavishly, at his smaller houses.
He had the one great, dazzling court of the first half of the twentieth century, and the statesmen and kings, the queens and duchesses at his table were as authentic as the writers and wits and great movie stars and directors. Harold Ross must have wondered what drew his old friends there, for he came, too, escorted by Robert Benchley. It is both a limitation and in the nature of the appeal of popular art that it constructs false, easy patterns. Before Mankiewicz began writing the script, he talked about what a great love story it would be—but who would buy tickets for a movie about a rich, powerful tycoon who also found true love?
In popular art, riches and power destroy people, and so the secret of Kane is that he longs for the simple pleasures of his childhood before wealth tore him away from his mother—he longs for what is available to the mass audience. Mankiewicz makes them easier to grasp and rather florid but kills some of their almost sinister double edge by making them consciously flip. He turns them into a joke.
And so the movie becomes a comic strip about Hearst, without much resonance, and certainly without much tragic resonance. Hearst, who compared himself to an elephant, looked like a great man.
Mankiewicz, like Dos Passos, may have believed that Hearst fell from greatness, or as I suspect Mankiewicz may have liked the facile dramatic possibilities of that approach. Mankiewicz had been hacking out popular comedies and melodramas for too long to write drama; one does not dictate tragedy to a stenotypist. He automatically, because of his own temperament and his writing habits, turned out a bitchy satirical melodrama. From mapping out bones in the body to building amazing spinning rotocopters, the stimulating activities in this book will get brains ticking!
From perfect paper polygons and topological transformation flip books, from pizza cutting puzzles and loop-deloop number spirals, the fun activities in this book will have readers making beautiful art…and learning incredible math facts too! Both titles include lots of fun elements to draw, cut and glue! Math and art, as different as night and day, right?
This Is Not a Math Book shows how math can be beautiful and art can be numerical. Amazing patterns with a mathmatical basis will be revealed as you follow the simple activity instructions. Learn and explore design concepts such as the use of color, pattern and style, through drawing and coloring activities; plan your ideas, then use the cut-and-color furniture templates and patterned papers and stickers included to make a fabulous 3-D model of your dream bedroom! Guess which animal will appear next based on a tiny hint in the right-hand corner of each double-page spread.
Create beautiful, layered paper dioramas with these clever art activity books! Combining drawing, coloring and scissor skills, children are taken page by page through creating four lovely landscape scenes and four different cities. Use colored foil to create fabulous shiny and glittery art! Each wallet contains a book of ideas and a kit to help your amazing ideas come to shimmering life. Find out … Which customized car has a top speed of mph? Which engine has a nitrous oxide injector? Which car has a plasma TV in the truck? Which touring car can reach a top speed of mph?
Which modified car can for from mph is 2. Each entry has a factfile with bite-sized facts, measurements, statistics, and a clear color photograph. The Pocket Book series helps young explorers to identify and understand the world. Spend a day at the garage where busy mechanics repair and restore all kinds of vehicles, including motorcycles, police cruisers, trucks and cars.
Hold the special pages to the light to see inside all the inner workings of the garage! Enjoy a typical day with a family as they go about their daily routines and special outings. Discover the secrets of the human body. Hold a light behind the pages to see muscles flex, watch as food travels through the digestive system and take a peek at the skeleton holding you upright. Young builders will delight in exploring all the hidden secrets of a construction site. What can you spot at the airport today? Shine a light behind the page and see … From the airport staff who X-ray the baggage and check passports, to the pilots who fly the planes, each page-turn takes you behind the scenes of an exciting plane trip.
What is life like on a space station? Shine a light behind the page and see. What do the astronauts do in space? What do they eat? Where do they sleep? What do they wear? Each page-turn will take you another step forward on this exciting tour of a space station. Young engineers will delight in exploring all the hidden secrets On the Train.
A hidden world of snow-covered Artic foxes, owls hiding in tree trunks and perfectly camouflaged butterflies will be revealed as you hold the pages to the light. Shine a light behind the pages and discover a natural winter world full of surprises! Who lives around the apple tree? From worms wriggling among the roots, to birds nesting high in the branches, the hidden wonders of this amazing habitat are revealed. Discover the animals and plants that live in and around a kapok tree, from the colorful parrots in the canopy to the sleek jaguar on the forest floor.
Explore the planet up close, and you will find great surprises! From lava bubbling in a volcano, to creatures living beneath the ocean, the hidden wonders of Earth are revealed. Just hold the page up to a light to discover it all. If you look closely between the stalks, beneath the leaves, and under the soil, you will spot the animals and plants living there. Hold a page up to the light to reveal what is hidden in and around the vegetable garden, and discover a small world of great surprises.
Informative and visually exciting, this whistle-stop tour takes children from Hawaii to the Everglades and from the White House to the Statue of Liberty. Will there be rhymes and wordplay and lots of fun things to say aloud? You can count on it! Discover how Albert learns to feel big again in the adorable tale about new siblings. An informative explanation of how and why gas is produced and eliminated is presented in a straightforward, relatable manner.
Amelia is determined to fly! The Amelia in this warm and lovely picture book is Amelia Earhart as a young girl, growing up with her unconventional dream. Whether you love them hugely like a whale, or shyly like a quail, this adverb adventure through the animal kingdom is perfect to share with all the birdily, bugily, animally loved people in your life. But how exactly do you stop a blue whale from feeling blue? His friend George knows that. So does Stella. And Ted, and Larry. Or is he?
Check the mirror in the back of the book to find your feline face! Are you sleepy, brave or sneaky? Busy trucks will say good night. Because when it comes to making friends, being yourself is all that counts. A heartwarming celebration of diversity, inclusiveness and friendship. They have hundreds of them. Then one day, all the books are gone, and Angus, Lucy and their parents realize they need books for more than they ever imagined.
Choose a train, car, boat or bicycle and follow its path with your finger to see who will win the race in this interactive adventure featuring die-cuts and gatefolds. Cordelia can fly. Over the ocean and up with the birds. Or can she? A modern-day fable about believing in yourself — and flying wherever you want to go. Rhythmic verse and gentle illustrations of simple everyday pleasures in this counting journey both soothe and delight. Meet Cuddle Bear — the unforgettable hero with hugs for everyone! Cuddle Bear has plenty of hugs to go around. Can Oscar catch him before the witching hour is up?
Enter a magical world where dinosaurs and knights have come to life in this fact-filled, lift-the-flap caper! He can conjure up a bunny, a chicken and even the king of the jungle! But can he make a dragon disappear? A wonderfully funny alphabet adventure filled with letters, magic and vibrant color. Climb inside while you still can with Dan, Beep!
A wonderful read-aloud rhyming tale about finding and being a friend — whoever you are, wherever you are. Which dog are you like? Check the mirror in the back of the book to see. Are you shaggy? Or just doggone happy to have a new dog book to share? While Farmer Dougal sleeps, Sheep and his animal friends board the tractor and take turns making noises. Every day Jessica brings her cardboard box filled with something different to share.
Until, finally, she discovers that all she truly needs to share is herself. What if they laugh? Bright, simple illustrations, rounded corners and cardstock pages make it perfect for the very young. Shake, stir, mix, bake. This little dinosaur just loves cake! Patrick Lewis rejoices in this calendar of dizzy days, celebrating them all in poetic style. Billy and Bee have so much fun at playgroup! Everyone will want to go too! Bright and friendly illustrations and simple, gentle text capture the the range of emotions that come with new experiences.
A friendly retelling just right for reading aloud with two perforated punch-out masks to let little ones play along. Ludwig and his friends live in a book, but Ludwig yearns to explore the universe. Kitten lovers will cheer with Fran as she eagerly learns lots of tips to keep her new kitten healthy and happy.
Sam really wants a puppy, but first he must learn how to care for one - a heartwarming story from a renowned vet introducing the joys and responsibilities of owning a pet. This picture book with its simple rhyming text not only presents basic colors, but also helps children explore and understand emotions and feelings through them, fostering discussion and inspiring the budding artist. Arnold the pink lion lives an idyllic life with his flamingo family, until a group of lions comes along… A funny and friendly picture book with a heartwarming story about always being yourself.
He really needs his sleep. Packed with amazing vehicles competing in this energetic no-holdsbarred race, children will love poring over the detailed spreads long after the race has finished … The perfect book for children that love vehicles! With a simple, easy-to-follow structure and bold, quirky imagery, this picture book allows young readers to choose their own characters, settings and plots in an imaginative, unique storytelling experience. A rollicking, rhyming text filled with action and noise that begs to be read aloud, combines with playful, energetic art to make this one perfect for story time … or anytime!
The companion title to Paint Me a Picture, this book celebrates the joy, imagination and value in storytelling in all its forms, inspiring the writer and artist in everyone. Do dogs dream? What do worms eat? So he sets off to find the answers, until finally a wise man points Mouse to the one place that has them all - the library.
Illustration from Too Many Questions! This rollicking, rhyming garden story will have readers tapping their toes as they count the too-many tomatoes overgrowing the garden, the building, the block … and more! Open the book one way to explore the town scene and then flip the book over to delve into the country landscape. A mini glossary for each main image features tiny pictures picked out from the main scene.
An intricate, factfilled pop-up book full of surprises! Go on a journey of discovery in this innovative pop-up book that includes the lush rain forest, a mysterious underwater kingdom and the secret world beneath the streets. Under the snowy mountain, animals have dug burrows in which to hibernate, and deep under the ground you can find hidden treasures such as ancient artifacts and dinosaur fossils.
A short synopsis followed by a simple, illustrated narrative introduces ten classic ballets. Then comes the fun of trying to spot the characters in the detailed spreads that follow along with the special ballerina gracefully pirouetting in each one! Spot William Shakespeare and a selection of his colorful characters from ten of his best-loved plays!
Includes illustrated synopses and search-and-find spreads. With so many fun things, how will Danny decide what to do today? You decide! But will his bad mood spoil the whole day? Jack is feeling angry because his best friend got the solo that he wanted. But when things go wrong on concert night, can Jack save the day? He really wants to kick a goal, but the coach has made him goalie. Jack has made the best robot suit for a costume party. But will the other kids think a homemade costume is silly?
What will happen if he leaves it until the last minute? But will Jack let his worrying get in the way of having fun? But will he be able to face his fears and still have an awesome time? Can they work together to win? They have heaps of fun together! But what happens when Billie comes back? But what will he do when his best friend is too sick to come? When Jack hurts his ankle, he tries really hard not to cry.
Surely he can be braver than that!