Sunburst - Entanglements Knotty Cross Stitch Pattern

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Please read before ordering. Designs represented in this catalogue are protected by copyright owned by or licensed exclusively to Laura Ashley Limited and their reproduction in any form, without the express written consent of the copyright holder, is prohibited.

An oversized paisley design in a palette of truffles, golds and sables creates a glamorous feel for the home. C O A S TA L This story uses a palette of seasprays and naturals with coastal inspired checks and stripes to provide a relaxed, by the sea feel. F R E S H WAT E R Bring a laid back beach house look to your home with a harmonious palette of neutrals and touches of coral and seaweed shown in our print designs see page 96 for design service. To find out more, ask in store, contact: or email: design. Calls cost 9 cents per minute plus network extras at current call and exchange rates.

Calls from mobile phones normally cost more. By understanding your needs and budget, we will develop bespoke solutions to suit your brief — from small scale to large scale projects, we can make your vision a reality. E NEW set of 3 gift boxed enamel frames set includes frames to fit one 6 x 6 cm 2. R decorative beaded edge mirror tray Mirrored tray with striking beaded edge,glass and resin with plastic backing H2.

Q duo decorative classic photo frame holds 2 photos 15 x 10cm 6 x 4" R sophia photo frame holds photo 18 x 13cm 7 x 5". N coco cushion, duck egg pg P coco towels, duck egg pg Q heather quilt, dove grey pg all our products are machine washable unless otherwise stated prices exclude delivery charges - see pg K louise quilt, silver pg all our products are machine washable unless otherwise stated prices exclude delivery charges - see pg G song bird set of 3 storage boxes largest box H18 W Q rosie easy-fit pink chandelier metal and acrylic; bulb max 60W not included ; H30 W25cm U esme set of 3 storage boxes largest box H18 W P NEW salcombe string lights 10 felt sea creatures; L1.

Portsmouth is a versatile modular children's range made from modern materials and solid birch, with an off-white painted finish. The modular nature of the range means that. The 2 drawer chest or 2 door sliding storage unit can initially be used under the bed but in time, with the legs attached, can become the base of the 2 door wardrobe. The bookcase can also be freestanding or stacked on the storage unit. Suitable for ages 4 years upwards. For further range details ask in store for our Information and Care Guide. They offer longer life and lower electricity consumption, are better for the environment and are also more cost efficient.

We recommend reputable brands only. H guinevere easy fit pendant glass pendant with a beautiful cross hatch effect; H B capri chandelier 25W G9 bulbs included 5 light H F issy easy fit chandelier pretty easy fit chandelier with icicle shaped glass droplets; use with existing fittings; H19 W20cm; weight 1. G vienna wall light stunning wall light with suspended glass droplets; H17cm W N isodore plaster wall light cream with cut-out design; H13 W D aneela cream 3 arm chandelier cream hand-painted, with stylised trailing leaves; H J porter chandelier glass lantern style cream chandelier; max 40W E14 candle bulbs 5 arm H A ripple lamp rippled glass base with a champagne oval shade; H64 shade W M selby glass base stacked solid glass balls; max 60W B22 bulb large H43 W15cm small pg 13 also in antique brass, see pg H carson nickel base nickel effect and hand polished glass base; max 60W B22 bulb H37 W Q vienna lamp suspended glass droplets on chrome plated stem; H K 10" fenn marble double pleat shade pg L baxter base antique brass finish and stacked acrylic balls; H26 W R 12" fenn cream shade pg S winston base glass cylinder base; max 60W B22 bulb large antique brass H D lotus base slim nickel base with beautiful cut glass flower; H44cm W L paloma glass base solid glass stacked blocks with chrome trims; max 60W B22 bulb small H30cm W11cm large ask in store H M fara floor lamp base H 14" made to order drum shade in dupion silk duck egg with clear glass stacked balls; H D R austen natural empire shade fabric shade; max 60W bulb 16" H Both colours feature hand-finished patina.

New Aylesbury In oak solids and veneers on modern materials with a vintage oak finish, our new Aylesbury farmhouse-inspired furniture collection features classically turned legs and antique brass effect knobs. Garrat In dark chestnut and honey, our ever popular Garrat range is beautifully crafted from solid birch and modern materials, stained to enhance the natural wood features, grain and colour variation. With antiqued brass effect handles and knobs, it will suit any home.

Garrat In dark chestnut and honey, our Garrat modular and office range is beautifully crafted from solid birch and modern materials, stained to enhance the natural wood features, grain and colour variation. The natural beauty of solid birch is revealed beneath the richly applied finish of our Balmoral range.

The colonial styling is inspired by traditional period furniture, with metal fittings completing the look. For further range details ask in store A 1 drawer side table shelf; H65 W50 D50cm chestnut honey. Milton Brought to you as office furniture, Milton has a solid oak and oak veneer construction, beautifully enhanced by a fine, oiled finish and antiqued pewter effect handles.

Our Milton modular desk system comprises a corner desk top and a desk extension to use in conjunction with either pedestal unit. Choose a perfect combination to suit your needs. Milton Modular Designed to complement our Milton range pgs , Milton Modular is made from solid oak and oak veneers and offers versatile storage for rooms of any size and shape. It will house anything from books and CDs to china and glass. E single open unit 2 adjustable shelves; H58 W D40cm F single open 2 drawer unit 2 adjustable shelves and 2 movable drawer boxes; H58 W D40cm G glass doors single unit 2 adjustable shelves and 2 sliding glass panelled doors; H58 W D40cm H wooden doors single unit 2 adjustable shelves and 2 sliding wooden doors; H58 W D40cm J single top to complete any single or split level configuration; H2.

Crafted from oak solids and veneers, our Napier dining and living collection has been developed with simplicity and versatility in mind. Bramley combines a distressed painted finish with solid wood tops, capturing memories of a popular vintage era.

Index for The Patterns of English Spelling Volumes 1-10

Dorset Classically elegant, this hand finished range features a gentle chalky wash that harmonises perfectly with the solid ash tops, whilst contrast brushed steel effect handles and hinges introduce a contemporary twist. Now also available in a versatile soft truffle finish. Add drama to any room — Henshaw is made from solid wood, veneers and modern materials with a hand-painted finish and distressed edges rubbed back to reveal the golden colour beneath.

New Marseille Marseille is a warm classic furniture collection suitable for all living interiors. With oak veneered tops that are arranged in a stunning parquet design to showcase the beauty of natural wood. Bases are crafted from birch and modern materials in a pale french grey painted finish.

Inspired by the traditional styling of the French region, Provencale Oak is a collection derived from Provencale Ivory, lovingly constructed by skilled craftsmen with authentic and intricate attention to detail. Available in NEW oak, or ivory featuring solid oak and oak veneer tops with a weathered finish. With a beautiful full oak top with weathered finish, and an Ivory painted base, lacquered for low maintenance. Lacquered for low maintenance. Provencale Ivory Inspired by the traditional styling of the French region, Provencale is a beautifully assembled collection, lovingly constructed by skilled craftsmen with authentic and intricate attention to detail.

For alternative Provencale finishes please see left. Provencale Ivory and Dove Grey This is all about beautiful, intricate detail. The Provencale collection is inspired by the traditional style of the French region from which it takes its name, and assembled individually by skilled craftsmen. A dressing table and stool set 5 drawer table; stool upholstered in netural linen; table H77 W D42cm; stool H B 1 door, 1 drawer bedside cabinet shelf; H68 W45 D35cm ivory left hand door right hand door dove grey left hand door right hand door Crafted from solid birch and Crafted from solid birch birch veneers featuring and birch veneers with a natural wood characteristics.

Garrat In dark chestnut and honey, we are proud to offer our ever popular Garrat in a bedroom collection. Beautifully crafted from solid birch and stained to enhance the natural wood features, grain and colour variation, it has brass effect handles and knobs, as well as uniquely rippled tops unless otherwise stated.

100% Original Cross Stitch Pattern

The glamour of the Art Deco period has been reimagined with the elegant solid wood curves and mirrored glass surfaces of our Charlston collection. Inspired by our Capri lighting and mirrors, the glamorous Capri mirrored glass furniture range features bevelled edges and dark stained solid wood legs. Arielle is a pretty and feminine collection featuring bevelled edges, rich stained solid wood legs and elegant handles, in a subtly antiqued mirror finish.

Beautifully elegant and designed to make a subtle statement within your living space, the Venezia occasional table collection features tapered steel. Devon With a hand brushed white painted finish, lacquered to create a fresh and informal look, Devon will comfortably work in any bedroom. Antiqued pewter effect handles and knobs add the perfect finish. In classic styles, each of our metal bed frame options has been beautifully constructed and features a quality painted finish and hand poured castings. Somerset bed in an ivory or dove grey finish, this ornately decorated hand-made metal bed frame has a striking triple-arched top rail, hand poured castings and sprung slats; mattress not included single 3' ivory dove grey.

Choose your Bedstead or Headboard from the 6 designs shown right 2. Choose your Preferred Size double 4' 6", king 5' and super king 6' 4. Choose a Coordinating Upholstered Storage Box 5.

FOLLOW A CROSS STITCH PATTERN

Order in store or by phone or ask in store for details. Choose any divan in 3 choices of fabrics and combine with any of our metal or upholstered headboards.


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D hastings headboard for a divan Victorian style elegance with a sweeping top rail and shell design; 3 finishes. E somerset headboard for a divan hand-made metal headboard with a triple-arched top rail and hand poured castings. F phoebe headboard for a divan hand cast in metal, this beautifully crafted headboard has fleur-de-lys moulding ivory finish. Ticking in Thorn design. We now offer a selection of our sofas, armchairs and 28 DAYS scatter cushions in a short delivery time.

Terms and conditions apply, see pg With fixed cover Fabric band: armchair snuggler NEW snuggler sofa bed small 2-seater 2-seater 2-seater. Available as part of our best selling ranges, our comfy snugglers are perfect for curling up in. Generally wider and deeper than regular armchairs, snugglers make a great stand alone statement, yet work just as well alongside your existing sofas. Distressed Leather Products upholstered in distressed leather are distinctively designed to give the much sought-after effect of a well loved family heirloom.

These are testament to the genuine origin of the product, that form part of the design of the piece and do not affect durability. Consistent appearance, with grain variation, some characteristics and colour shading. Swatches are illustrative of the design and colour. Delivered upholstered products may differ due to the fire resistant treatment which could alter the texture and appearance from that of the swatch. Every effort is made to ensure that products supplied correspond closely to samples in our stores, catalogue and website; however, variations may occur during normal manufacturing between batches, and due to the unique characteristics of natural materials.

Leather Buying Guide Genuine leather is natural and warm with individual characteristics. Laura Ashley uses high quality full and semi aniline leathers, many tanned using water based dyes or pigments and finished with natural substances such as beeswax. This allows the natural markings, scars, shade variation and beautiful characteristics of authentic leather to be enjoyed.

Each leather piece is unique and will show some colour variation. High grade leathers below with natural blemishes, markings and unique colour shading visible. They generally tend to have a more consistent appearance but with some characteristics still visible. With a little care, leather will improve with age. After a time all leathers will relax and mould comfortably from use especially those with fixed seats. Occasionally, the odd mark or scratch can occur and colours may mellow, which will simply enhance the unique appearance of your piece and add extra character.

Leather is an investment for the future to be enjoyed for many years to come. Features Symbols visible texture, markings and scars. Some of our leathers have extra character with distressed and wax finishes which create more significant variations in texture and colour, with enhanced markings under the wax. Pull up may be evident, where leather is stretched taut for perfect upholstery.

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This can cause it to appear lighter in colour, especially across tighter areas. Some of our leathers have had the surface texture removed and a finish applied, giving a more uniform appearance, although characteristics and scars may still be visible. Several hides are used to cover a sofa so variation in colour and texture may occur between the different parts of a piece and between pieces on the same order as each is a unique product. For an authentic look, all of the natural blemishes, markings and unique colour shading are visible. Some have semi-distressed and waxed finishes for more variance in character, texture and shade.

To select the perfect leather for you see the swatch range on this page and use the features symbols to guide you on the level of character you prefer. We are so confident in our upholstery that the frame construction and springs are guaranteed for a reassuring five years. Please see pg for more details or ask in store. Available to view in store and also delivered with your selected Product, these Guides provide useful information about the features of each Product range and how to care for them correctly. Please read and retain for future reference.

Regular re-dressing will be required to keep the covers neat and tidy, and on delivery some readjustments may be needed. Ideal as an occasional extra bed for accommodating guests, sofa beds contain a bed mechanism under the seat cushion which makes them a little firmer than a standard sofa. Our pads contain high quality fillings carefully calculated to give the correct loft for each range.

All pad fillings will compress when used, just like a pillow. The appearance and performance of your pads can be restored and preserved by regular maintenance. Follow these simple steps as soon as your furniture is in use It is easily restored with the same maintenance as fibre pads. Non-reversible cushions should have the pad removed from the cover and turned over regularly. Fabric compositions differ from fabric to fabric which can give a more relaxed or firmer feel to the seat when in use.

Larger versions of a range have more pad surface area for air to escape and will feel different to smaller models, consider this in your selection. Keep your new furniture looking its best with Guardsman… Buying new furniture is an investment that you will want to stay looking good for years to come. Little accidents such as spills, rips and scratches can permanently spoil your furniture.

By taking out the 5 year Guardsman Protection Plan on your new furniture means you can sit back and relax, safe in the knowledge that your furniture is protected against those little mishaps spoiling your furniture. Fabric Plus: for fabric upholstered furniture 2. Leather Plus: for leather upholstered furniture 3.

Cabinet Platinum: for dining, living room and bedroom furniture The Guardsman Protection Plan offers you peace of mind. When something happens, contact us, complete one simple form and if needs be we will arrange for a trained technician to visit your home. The damage will be assessed and if possible, repaired there and then. If new parts are needed, we take care of that too. The following indicates how this relates to your Laura Ashley purchases:. The Information and Care Guide provides detailed guidance on pad maintenance and an information sheet will arrive with your Product.

We recommend you try out the various fillings in store wherever possible. Should a spill result in a stain, refer to your Guardsman Protection Plan right or seek professional advice. Contents include: ml leather cleaner, ml leather protector, cloth, sponge and a guide to application and use. Additional information for general care is provided in a care leaflet supplied with the product. Cabinet Platinum, the dining, living room and bedroom furniture Protection Plan, depends on the value of your purchase:.

Please note: the Cabinet Plan includes cover for wooden and upholstered bed frames. However, it is not available on self assembly furniture, metal beds, mattresses, headboards, divans and mirrors. Sofabed stains and accidental damage coverage is limited to the exterior of the item and does not include the mattress.

A protective treatment is applied to most fabric upholstered furniture during manufacture. Excludes fabrics marked 6 see page and leather upholstery. Fabric Plus dry is available on fabrics which cannot be treated with the Guardsman stain protector fluid. Fabric Plus is FREE for additional loose covers and armcaps only if ordered and paid for at the same time as the upholstered item. For our free leaflet giving full details on the full benefits of Guardsman protection, call us on or ask in-store. Not available in France. Offering over beautifully designed upholstery fabrics and 6 leathers for your home.

Use this glossary information to choose the right fabric for you. These fabrics are available to buy by the metre. The price and code are indicated. These fabrics are not available to buy by the metre and are only available on Laura Ashley upholstered products. Loose covers: check label instructions before cleaning. Denotes the fabrics are partially pattern matched across the piece of upholstery. Other fabrics will not be matched at the seams. Not suitable for loose covers 6 Denotes fabric which does not have a protective coating applied. Letters inside the chair identify which price band the fabrics belong to See pgs To select an option that is perfect for you, study the information below and the features of your selected Upholstery range or fabric.

We recommend you view the product in store or online at lauraashley. Fabrics have natural characteristics which should be carefully considered. To select the right fabric for you please refer to the fabric glossary right. Some may display slub characteristic effects and may include occasional seeds and husks.

Pilling can occasionally occur in early stages of use, which is a feature of such fabrics. They are natural or normal characteristics which do not affect product quality. Consider how much use your Product will receive and select a fabric suitable for your needs. Take extra care with sharp objects, such as studs and belt buckles as these can snag even the toughest of fabrics. Medium-weight woven dobby. Medium-weight woven semi-plain. Many have a high viscose or acrylic content which in normal use will adopt a distinctive crushed look or exhibit natural shading, crushing, lines and bruising variation.

This is a characteristic of these fabrics similar to velvet and does not affect durability. Medium-weight woven chenille stripe. Piping is not matched on Maxwell Upholstery. Offered with an integral soil and stain resistant finish. This fabric has a high wool content, which gives a luxurious handle and finish. The high content of wool can fluff and pill, it is a natural characteristic which does not affect durability.

In normal use, many of these fabrics will adopt a distinctive crushed look or exhibit natural shading, crushing, lines and bruising variation. This is a characteristic and does not affect durability. Due to the nature of velvet fabric, all fabrics in this category exclude Guardsman treatment. Heavy-weight plain dyed pile velvet. This fabric displays distinctive lines, pile variation shading and crushing effects. These are not a sign of premature wear but natural characteristics which do not affect durability.

Linen has a natural tendency to crease which enhances its textured look, creases will soften as fabric relaxes in use. As linen and cotton are natural fibres there will be slight colour variations between batches. Medium-weight woven linen check. Heavy-weight woven velvet. Fabric design is created using a hand spraying technique which may result in variation between batches. Fabric exhibits creases, spotting, crushing, bruising and shading, which are all natural characteristics of the distinctive look. Medium-weight linen-blend fabric.

Before ordering check carefully that the Upholstery, Bed and Cabinet products you have ordered will fit through the property access and into the intended space in your home. Cancellation fees will apply if product will not fit in on delivery. In store we also accept cash and Gift Cards. Balance payable a few days prior to the despatch of your order. Details of a Credit Card to collect the balance must be provided at time of order. We will charge the balance 3 days prior to the arranged delivery date.

Additional charges may apply in certain circumstances. Products with the longest time to completion will determine your estimated delivery week. If requested we can leave packaging onsite. Choose from our curtain, blind and pelmet ranges pgs Lining options are available, see page for details. Such as contrasting edges, borders or trims. Choose matching tie-backs or cushions in any fabric pg For curtain poles and finials see pages Made to Measure Curtains Whichever treatment you prefer, choose from over fabrics pgs For more Curtain Treatments please see pg For more Curtain Treatments please see pgs Choosing your Lining Each of our diverse header styles is available unlined, lined, bonded interlined in white, cream or oatmeal , or with thermal blackout lining in cream or white.

Shards of iron litter the floor throughout the stronghold. Overlooking the Feywrot Mire, the view isn't as spectacular as it could be, given the overgrowth of the swamp blocking much of the scenery. Several dog-faced gargoyles are perched on the turret, as if they were mounted to protect the stronghold. Obvious paths: down. Puddles of filthy water and mud are scattered across the floorboards, each brimming with life that floats upon their surface. The bartop is covered in several layers of dust, with the abandoned bottles of alcohol barely visible underneath it.

Bartop : Covered in many layers of dust, the bartop is marred with several notches and gouges. Upon the top are a bunch of dust-covered bottles. Behind the wooden bartop , a cellar door looks like it can be accessed, which is on the floor. You grab one of the bottles from the bartop and dust it off. The whiskey looks to be fresh still. You glance down to see a pale green bottle of whiskey in your right hand and nothing in your left hand. A foul smell is heavy in the air. Upon the areas that are still traversable, a stacked pile of old casks dominates the cellar. Obvious exits: up.

Water : Countless insects float around on the surface of the liquid. Several old steins and mugs can be seen within the depths of the aqueous material. You make a careful search of the area and discover a discreet passageway behind a stacked pile of old casks! Several oil lamps light the room, each hanging over a low wooden counter. At the back of the room, a wyrmwood treasure chest is chained to the floor.

On the wooden counter you see a blued steel misericord, a dirt-caked leather tricorne, a heavy lead coin, some yellowed bone dice, a rusted iron compass, a distressed leather music folio, a cracked glass jug, a decayed goatskin map, a matte black suede lockpick holder and a thin vaalin toothpick. Show: The interior of the holder is divided up into two thin compartments, each just big enough to hold a single lockpick.

The compartments are lined with soft black velvet to protect their contents. In the treasure chest you see a sinew-bound rat hide scabbard, a mud-stained linen flag, a thin wool meditation mat, a tasselled cloth prayer rug, a torn leather wand belt, a stained leather wand bandolier, a fur-trimmed wool bag, a split-buckled moldy leather baldric, a pair of rusted iron pauldrons and a pair of black leather gauntlets.

Show: Along the side of the wool bag are a series of narrow scabbards, several which are rhimar-throated, as well as a small number of loops. Scripted skinning bag. A corroded copper ladder is revealed, recessed in the lone interior wall. Beside the ladder , a deteriorated black ash door leads towards the bow. The exterior walls are badly weathered, and the copper-framed windows set within them have not held glass in ages. Flexing precariously underfoot, a wooden deck creaks and groans with each step. You also see a fractured copper vat mounted to the stern wall, a ramp of wooden planks and a large parchment notice.

Planks : Having fallen from a section of the upper deck above, the planks are now propped against the interior wall of the house boat. While one could easily climb them, there would be no way to jump high enough to reach the upper deck. The hammered copper roof of the cabin is pitted and riddled with holes, supported by four massive pillars of weathered black ash. The ship's wheel is almost nonexistant, just a remnant hub with fragments of what used to be the spokes. You also see a splintered crate. In the splintered crate you see a hammered invar link girdle, a gem-adorned thick iron crown, a triple-linked silver mesh belt, an ora-beaded wavy vultite wristlet, a viridian emerald-inset bracer, a jade-inlaid silvery mithril anklet, a coral-flecked blue imflass talisman, a crystal-inset braided gold circlet, an ivory-inlaid dark copper medallion and a pearl-adorned silver link ankle-chain.

Dominating the center of the hall, a warped three-legged table intermittently teeters on the soft, rotted wood deck. A pitted copper canopy overhead blocks out most of the sky. You also see a deteriorated black ash door leading aft. On the three-legged table you see a triple-link gold mesh belt, a ruby-adorned intricate black skullcap, a hammered rainbow glaes medallion, a beryl-inlaid dark faenor ankle-cuff, an onyx-adorned mithril waist chain, a ruby-inset spherical invar amulet, a firestone and braided copper wristlet, a beryl-inset blackened iron tiara, an agate-inlaid twisted faenor anklet and a gem-studded dark steel bracer.

A small opening leads to a separate room toward the rear. To the immediate right of the entrance is a small neatly arranged area with a large rack , a display table and a wicker basket. A mithril placard loosely attached to the wall also stands out. On the large rack you see a vibrant green vat, a red copper boiler, a shiny black pot, a dark silver vat and a deep purple cauldron. Show: The green vat is currently unlit. There is nothing inside. Alchemy cauldron. Show: The copper boiler is currently unlit. Show: The black pot is currently unlit.

Show: The silver vat is currently unlit. Show: The deep purple cauldron is currently unlit. On the display table you see a plum leather satchel, a skull-shaped black onyx mortar, a brain-shaped pink marble pestle, a split-back pink conch shell, a cinnabar crystal, a large yellow diamond and a Kezmonian honey beryl.

In the wicker basket you see a skull-etched black glass jar, a leaf-etched green glass jar, a gem-etched glass jar, a sun-etched golden glass jar and a heart-etched crimson glass jar. Multiple workstations are set up around the edge of the room to make wares for customers. More organized than the front room except for several columns of cauldrons, a simple workstation has been set apart from the others in an area with space for a small audience.

A large mithril pipe extending through the ceiling provides ventilation to the room, and a small opening leads back to the salesroom. The inside is devoid of decoration, save a tiny window with crystal-beaded curtains. A rusty-hinged travel trunk sits on the floor, near a beat-up wooden table that is using a stack of books to make up for the missing leg. You also see a makeshift door made from bits and pieces of wood.

In the travel trunk you see a barbed steel wristcuff, a twining wrought silver choker, a tri-tiered silver lariat, a delicate peacock bracelet and a whorled glaes amulet. Show: The steel wristcuff has a single, empty setting. Crystal holding jewelry. Show: The wrought silver choker has a single, empty setting. Show: The peacock bracelet has a single, empty setting. On the wooden table you see a small burnt parchment sign , a whimsical silver snail pendant, a regal silver owl pendant, a scorched gold amulet, a blackened eagle-engraved ring and a rose-etched silver band.

Show: The silver snail pendant has a single, empty setting. Show: The silver owl pendant has a single, empty setting. Show: The eagle-engraved ring has a single, empty setting. A small three-legged chair sits in one corner, an ugly crate next to it clearly being used as a table. There is a fine layer of dust on the floor, barely covered by a plain braided rug.

A generous layer of thick cedar chips lines the floor, filling the air with a crisp, clean scent and mitigating the ever present dampness of the mire. Across from a simple flap leading out, a plain pine shelf and matching trunk stand little more than a foot apart, greeting patrons as they arrive. On the pine shelf you see a pair of matte pewter silk handwraps, a pair of rust-hued silk handwraps, a pair of faded plum silk handwraps, a pair of muted indigo silk handwraps, a pair of dark gold silk handwraps and a pair of raw silk handwraps.

In the matching trunk you see a pair of matte pewter silk footwraps, a pair of rust-hued silk footwraps, a pair of faded plum silk footwraps, a pair of muted indigo silk footwraps, a pair of dark gold silk footwraps and a pair of raw silk footwraps. Above the blue paint, the room is decorated in dark hues resembling dead wood, while below the hues are light and green like a vibrant forest.

Two small fountains bubble in opposing corners of the room, while an odd pedestal table sits just off the center of the room. You also see a battered wooden sign. Table : The base of the table is carved in the shape of an abnormally large, and quite angry looking, monkey. Its arms are stretched over its head clutching the varnished oak table top, as if it were about to hurl it to the floor.

On the pedestal table you see a zorchar bound steel hammerbeak, a zorchar studded steel maul, a dark crimson wand, a shadow-hued round amulet, a golden sword pin, a slender garnet-hued rod, a small gem-encrusted mechanism, an embossed buckler pin, a large green potion and an enruned miniature staff. Tanned hides pile high on a central oak table. Above the table, tools of the tanner's trade hang within easy reach. You also see a small sign , a wide wooden armoire and a series of sturdy hooks with some stuff on it.

In the wide wooden armoire you see a square of cream-spotted doeskin, a light brown wolverine pelt, a gleaming black dobrem pelt, a black-tipped grey coyote pelt, a chalk white fire salamander skin, a pale leopard pelt, a grey-spotted snowcat pelt and a striped relnak skin. On the sturdy hooks you see a hoary blued krolvin skin, a dark grizzly bear hide, a polar bear hide, a flayed troll warrior skin, a dusky ochre aivren skin, a shaggy brown fenghai pelt, a jungle troll chieftain skin, a wooly mammoth hide, a golden plains lion pelt and a bristly black boar hide.

A large armor stand is centered in the area while a wall-hung rack rests behind it. You also see a handwritten sign. Obvious exits: north , east , out. On the armor stand you see a suit of pristine full plate, some pristine brigandine armor, some pristine augmented chain, some pristine robes, some pristine full leather, some pristine double leather and some pristine mithril metal breastplate. On the wall-hung rack you see an argent mithril metal breastplate, some argent double leathers, some argent full leather, some argent robes, some argent augmented chain, some argent brigandine armor and a suit of argent full plate.

The only two objects of notice are a large armor stand and a wall-hung rack stuffed to the gills with various armors for sale. On the armor stand you see some jet black full plate, some jet black brigandine armor, some jet black augmented chain, some jet black robes, some jet black full leather, some jet black double leathers and some jet black metal breastplate.

On the wall-hung rack you see some ebon-hued full plate, some ebon-hued brigandine armor, some ebon-hued augmented chain, some ebon-hued robes, some ebon-hued double leathers, some ebon-hued metal breastplate and some ebon-hued full leather. The only two objects of notice seem to be a large armor stand pushed up against one wall and a wall-hung rack opposite it across the room.

Obvious exits: west. On the armor stand you see a white mithril metal breastplate, some white double leathers, some white full leather, some white robes, some white augmented chain, some white brigandine armor and a suit of white full plate. On the wall-hung rack you see a suit of onyx-hued full plate, some onyx-hued brigandine armor, some onyx-hued augmented chain, some onyx-hued robes, some onyx-hued full leathers, some onyx-hued double leathers and an onyx-hued mithril metal breastplate.

A ramshackle case is pushed along one side, the wares within neatly arranged despite the chaos of the room. A small table sits in the center of the room, topped with mirrors of different sizes and shapes. A well-used travel trunk sits on the floor near a a purple patchwork partition. In the ramshackle case you see a braided gold ring, an onyx-veined silver spike, a dull silver needle, a trio of atrous steel spikes, a petite pearl stud, some tri-tiered vaalin rings and a multicolored glaes ring.

On the small table you see a small blackened-steel mirror, a delicate porcelain hand mirror, a small oak-carved mirror, an octagonal gold mirror, a bronze hand mirror and a petite silver hand mirror. In the travel trunk you see a carved oak comb, an engraved feystone-inlaid haircomb, a blackened steel-tined comb, a petite tri-pronged haircomb and an ivy-carved ash haircomb. A shelf displaying different beard trimming implements rests above a scarred wooden table that sits in one corner.

Some patchwork pillows have been strewn about the floor, the vibrant colors brightening up the space. Sign : Bits of mismatched wood bound at the corners with twine provide the frame for this vivid sign. A rectangular mat within the frame has been painted in vibrant shades of purple and yellow, the background looking much like a paper patchwork quilt.


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  • A Mosaic.
  • In bold script in the center of the sign are the words: Beards are Beautiful! On the wooden table you see a fake peppery-grey beard, a fake ginger beard, a scraggly fake raven-hued beard and a fake braided blonde beard. Trays of steaming hot drinks and baked treats are crammed onto a small, rickety oak table that stands in the middle of the room.

    Lazy smoke drifts up from a makeshift fireplace full of gently crackling applewood logs, creating a homely atmosphere. You see some trays. Looking at the trays , you see a silver tray and a gold tray. On the silver tray you see a mug of hot peach tea, a mug of apple cider, a mug of hot chocolate, a mug of black coffee and a mug of hot pomegranate tea.

    On the gold tray you see a sliver of chocolate fudge cake, a crescent of peanut fudge brownie, a slice of rich fruit cake, a large raisin cookie, a fudge-topped dark chocolate cookie, a thin stick of chocolate shortbread, a sugar-dusted star-shaped gingersnap, a slice of apple pie, a small stick of walnut shortbread and a spiced ginger cookie.

    Providing illumination, tiny flames dance within glass stars that are suspended between the pale blue fabric walls. An assortment of garments is displayed on silver racks that hang from the dark blue ceiling. You also see a gold-painted wooden ladder. On the silver racks you see a raw spidersilk cloak in blackened silver tones, a dark leather coat cinched with intricately crossed laces, a niveous belted longcoat hemmed with dark flame embroidery, a copper-flushed longcloak of ebon and ecru bourde, a white-on-black layered lace jacket accented with dusters, an austere chainsil jacket with silver-embroidered pockets, a silver-buttoned robe of tone-on-tone ecru bourde, a stark white byssine cape edged with black feather whorls, an argent muslin cloak marbled with hints of ebony shadows, a cloak of alternating black and white leather patches, a high-collared spidersilk coat lined with tufted wool, a lily white pelisse shot with silver around the collar, a muslin cloak fashioned to drape in gently cascading folds, a long narrow-waisted ebony jacket with ermine-edged cuffs and a loose charcoal-hued coat woven from heavy damask.

    Rectanglar slats of polished oak are set into the floor in an exquisite chevron pattern, and pale ash shelves line the interior walls. A dark mahogany armoire with elaborate carvings is filled with pale-colored ensembles, and a faint scent of lavender and coconut drifts through the room. On the ash shelves you see a silver jewelry box , a silver filigree dish and a shot glass of bourbon. In the jewelry box you see a flat mithril bar, a tiny emerald stud, a petite blue sapphire stud, some twisted faenor hoops, a polished copper bar inlaid with white soulstones, a thin silver rod, a carved mesille disc and a skull-shaped bone stud.

    In the filigree dish you see a thin silver needle, a curved white gold needle, a slender mithril needle, a smooth stone and a bent dark iron needle. Show: The needle's tip appears sharper than a razor, and it gleams brightly. Piercing needle. On the dark mahogany armoire you see some low-slung crimson lace pants, a long grey chiffon blouse with lace sleeves, a bisque silk-on-satin dress with a low-scooped neckline, a smoke grey silk skirt with a thigh-high side slit, a multi-layered niveous organza skirt, some fitted spidersilk pants with a draped waistline and some charcoal gossamer pantaloons with a wide lace waistband.

    In the dark mahogany armoire you see a delicate ivory gauze tunic beaded with mother-of-pearl, a pale jade chiffon dress with layered scarves and braided ribbon straps, a back-laced scarlet satin corset with gold threading, a black silk blouse fastened with a single ebony button, a heather silk bodice edged with platinum threading, a side-laced hourglass corset of niveous chainsil and a cream satin nightshirt accented with crimbon ribbon edging.

    Under the dark mahogany armoire you see some black satin slippers set on thin silver heels, some cream silk slippers embroidered with bister thread, some gem-encrusted slippers set on tall mithglin heels and some thigh-high black leather boots with side lacings.

    Index for The Patterns of English Spelling Volumes | English Language | Semiotics

    Behind the dark mahogany armoire you see some sheer white silk stockings, a pair of sheer thigh-high stockings, some smoke grey tulle hose and a pair of diaphanous silk stockings with a thin back seam. Plastered around the sale items are colorful posters depicting both exotic and mundane locations, each marked with a different signature. A small counter situated in the center of the stall holds a large basket of quills.

    You also see a black-inked board. On the wooden shelves you see a claret teardrop-etched book, a warped leather album, a silver rune-edged album, a scallop-edged soft leather book, a gold-bound mistwood album, a dark orchid brocade-covered album, a carved black ash book and a slim white leather album. On the pocketed wall-hanging you see a banyan-painted card, a swamp-painted card, a mist-painted card, a painted wooden slab card, a painted forest card, a painted carousel card, a painted dining hall card, a painted female figure card and a painted grave-digger card.

    In the woven basket you see a bushy silver-pinioned quill strung from a red silk ribbon, a deep blue parrot feather quill strung from leather cording and a tapered white heron feather quill strung from blue twine. As its dying embers provide only minimal illumination, candles on crude wooden holders have been selectively placed at each display.

    Overhead, lengths of sturdy twine have been strung, supporting a variety of dried or drying body parts, some more readily identifiable than others. Underfoot, old and decaying boards crisscross the spongy-wet ground to create a passable walking space. You also see a battered bone-legged oak table with some stuff on it. Obvious exits: northeast , northwest , out. Table : The top of this table might once have been a fine specimen of expert craftmanship, but it is now little more kindling.

    Apparently lost to some unfortunate mishap, the wooden legs of this table have been replaced by a femur at each corner. On the bone-legged oak table you see a stale toe sandwich, a liver-filled section of esophagus, a tongue and saliva cocktail and a shallow beaker of blood. Taste 2: As the blood hits your tongue, you detect a faint hint of sweetness. That sense quickly gives way to a metallic twinge that lingers on your palate long after the blood is gone.

    Taste 2: Slick and slimy, like something scraped from a slug trail, the saliva slides over your lips and down your throat before you can properly register the flavor. A blessing in disguise, no doubt. Taste 2: The esophagus is toasted, nearly burned, and crackles noisily as you chew. Taste 2: Pressed between two crusts of stale bread is a thin layer of meat strips congealed with some unknown agent.

    The taste is musty and the texture chewy, with the occasional odd crunch. The temperature is lessened considerably by distance from the fire pit alone, but there is also a lingering weight to the air - something that seems almost to provide resistance to movement. Despite the lack of heat, the effect creates a stifling atmosphere in this section of the tent. You also see a torn parchment note , a tall flimsy sign , a flimsy three-legged table with some stuff on it and a pelt-draped scarred wood counter with some stuff on it.

    Obvious exits: east, southeast. Table : Missing the leg on the front right corner, the table remains standing on account of a pair of large buckets stacked beneath to support it. On the three-legged table you see a stretched and discolored orc ear, a strip of leathery kappa hide, a stained and splintered femur, a small broken feline skull and a desiccated gnarled siren finger.

    Counter : The pelt of a puma lies draped across the mid-section of the counter and has been tacked in place by a series of dark steel studs. On the scarred wood counter you see a crooked fel wand inscribed with spidery runes, a sleek dark maoral wand with black striations, a pale rowan wand twisted into a spiral, a long ash wand traced with silvery sigils, a sinew and fingerbone necklace and a twine and knucklebone choker.

    Though the contents of the containers are not obvious on first glance, the smell emanating from some of them is enough to keep the more curious at bay. Old and discarded bones of various shapes and sizes litter the ground, their colors dull and dark from time and the accumulation of dirt. You also see a small white table with some stuff on it, a small black table with some stuff on it, a hole-riddled wooden bucket and a tall stone and limb rack with some stuff on it. Obvious exits: southwest , west. Shelves : Among the selection of containers, five stand out from the crowd: a liquid-filled jar of eyeballs, a fly-covered canister of fingers, a reeking tub of tongues, a rusted pail of moss-covered ears, and a cracked dish of hearts.

    On the sets of shelves you see a cracked dish of hearts, a rusted pail of moss-covered ears, a fly-covered canister of fingers, a liquid-filled jar of eyeballs and a reeking tub of tongues. Taste 2: The heart has a dusty flavor, rather like that of chewing on a compressed stack of ancient parchment. Taste 2: Cartilage gives the fuzzy moss-covered ear some crunch and a more chewy texture.

    Taste 2: The taste of decay hangs at the back of your throat as you chew the bite of finger and threatens to trigger your gag reflex. Taste 2: Goo oozes from the yellowed eyeball to fill your mouth with a putrid, viscous fluid. Taste 2: The taste of the mushy, rotting tongue is a thousand times worse than its smell, which is enough to stop a troll at ten paces! Bucket : Splintered and battered along the mouth, the bucket bears holes of all sizes along its sides, rendering it useless for carrying much of anything at all.

    In the wooden bucket you see a slender violet bottle etched with hemlock blossoms, a slender red-brown vial with an ogre skin label, a mottled misshapen bottle with a tiny copper tag, a rough-hewn dark bone ring, a braided fire cat whisker band, a scraggly necklace of scrap suede and tiny bones, a leather-strung necklace of glass shards and misshapen beads, a pair of bone hair combs fashioned from tiny ribcages, some conical dark fel studs dangling small downy feathers and a pair of darkened raven claw earrings.

    Rack : Piles of stone serve as the base of this rack which consists of several gnarled limbs anchored in the stones and arranged to create the skeletal container. On the stone and limb rack you see a copper-scaled snake skin bodice trimmed in suede, a rigidly boned black snake skin bodice with leather laces, a faded black cotton shirt with fraying hems, a dingy rough linen tunic with yellowed bone toggles, a side-slit black alligator hide skirt, a grass green snake skin skirt with ivory-edged scales, a pair of ivory-on-rust snake skin pants and some murky grey alligator hide pants.

    The matte dark purple walls, painted with glossy thin ebon stripes, reach from the black carpeted floor to the matching ceiling that arches overhead. Small ebonwood shelves line the walls, their surfaces strewn with oddities and knick knacks. An iron scrollwork table and chairs sits near the eastward passage, laden with refreshments to beckon shoppers further inside. You also see a black iron-framed sign.

    Obvious exits: east , out. Candles : The flames have burned down into the candles, leaving black walls to diffuse the light cast outward. On the scrollwork table you see a milk chocolate bat, some chocolate-covered buttery almond toffee, a dark chocolate-drizzled vanilla cream pastry, a cup of orange spice tea and a glass of blackberry wine. Taste 2: As the chocolate melts in your mouth, its sweet lushness coats your tongue in a swirl of soft chocolate flavor.

    Taste 2: Light and brittle, the puff pastry easily yields to your teeth and floods your mouth with the mingled flavors of dark chocolate and vanilla custard. Taste 2: Sharply focused, the wine is long and intense with well-integrated tannins. The very fruit-forward appeal courses over the palate with the darker fruits linger, especially the blueberry. Below, tables festooned with violet and black-striped banners cozy up to the walls, and between them stands a tall grey-barked tree laden with a variety of goods. Here and there among the wares are sculpted silver vases and small tea candles in stained glass holders, the latter illuminating the crimson and lavender fleur-de-lis designs on the shades.

    Obvious exits: east , west. On the long tables you see a sanguine despanal ring in a bronze serpent setting, a solid onyx band inlaid with silver lacework, a raven-carved purple thunderstone ring with subtle engraving, a matte gold dagger-linked bracelet with garnet accents, a wristcuff of overlapping bronze scales edged in jade, a silver skull-linked wristchain with feystone eyes, a set of iron nail-shaped spikes tipped in crimson, a vine-wrought dark silver ring dangling a sapphire rose, a spiked raven head stud with ruby eyes and an ebon steel ring dangling an onyx skull. On the grey-barked tree you see a rich violet satin choker edged in ebon lace, a ruby-thorned black iron collar etched with roses, a delicate electrum bone-linked neckchain with onyx spacers, a strand of cord-strung crow beaks, a necklace of dark bone shards and a necklace of ivory skull beads.

    In the silver vase you see a silvered aqua rose with dark green leaves, a flawless white rose with jade-shadowed petals, a large champagne rose with pink-blushed petals, a satiny rose of muted twilight hues, a sanguine rosebud with jet-tipped petals, a lush ebony rose sheened with violet, a full lapis-hued rose tipped in icy blue and a velvety dark crimson rose with a thorned stem. Wirework mannequins lurk in the corners, casting raucous shadows across the walls, and in the center of the room is an ebon wire birdcage housing an obsidian raven. A pair of matching ebonwood chests sit open beneath the birdcage, and elevated on carved ebonwood pedestals, velvet-lined glass cases display a variety of wares.

    You also see an opaque violet-on-black curtain and a black iron-framed sign. Chandelier : Crimson enamel-glazed roses bloom here and there among the thorny construction of the chandelier, their dark petals raised to shelter the candles held within. Birdcage : The styling of the birdcage is elegant, composed of sweeping lines and curls that give the item a darkly whimsical personality. Within, sitting on a narrow silver perch, is an obsidian raven. The bird's surface is rippled, evidence of craftsman's touch on the material, and sports a high gloss. A pair of round sapphire cabochons serve as the avian's eyes.

    You see some wirework mannequins. Looking at the mannequins , you see a wirework male mannequin and a wirework female mannequin. On the male mannequin you see a grey-on-black brocade vest patterned with hollow-eyed skulls, a dark cherry-hued marbrinus tunic with flared cuffs, an iron-riveted ebony suede belt with a coffin buckle, a pair of ebon kidskin pants draped with thin-linked chains and some tall glossy black leather boots with buckled ankle straps. On the female mannequin you see a back-laced ebon damask corset patterned with roses, a violet-on-black bourde chemise with bloused sleeves, a dusky violet lace hip-scarf with onyx-beaded fringe, a full tone-on-tone ebony bourde skirt hemmed in black lace and some side-buckled jet suede ankle-boots with modest heels.

    In the ebonwood chests you see a sterling silver bottle inlaid with peridot, a luminous bright purple bottle whorled with azure, a licorice red glass bottle studded with onyx bats and a spider web-patterned obsidian bottle. Changes hair to very short, spiky sterling hair with long peridot-hued bangs 10 doses, lasts 4 hours each dose. Changes hair to shoulder-length sleek ultra violet hair accented with silver-pinned azure coils 10 doses, lasts 4 hours each dose.

    Changes hair to bobbed, shiny licorice red hair clipped with a myriad tiny onyx bats 10 doses, lasts 4 hours each dose. Changes hair to long, matte obsidian-hued hair tangled with gauzy white spider webs 10 doses, lasts 4 hours each dose. In the glass case you see a vial of soft lavender pigment, a vial of soft fireleaf red pigment, a vial of soft errisian green pigment, a vial of soft winter blue pigment, a vial of soft onyx pigment, a small box of loose saffron powder, a small box of loose smoke-hued powder, a small box of loose urglaes black powder, a small box of loose iced lilac powder, a small box of loose scarlet powder, a viridian kohl stick, a pumpkin kohl stick, a rhimar blue kohl stick, a silvery black kohl stick, a feystone violet kohl stick, an ebon-stroked firestone bottle, a lapis-set onyx bottle, a solid amethyst bottle and a contoured copper bottle.

    Changes eyes to ebon-veined fiery orange eyes 10 doses, lasts 4 hours per dose. Changes eyes to pupiless vibrant purple eyes 10 doses, lasts 4 hours per dose. Beneath sits a wing-backed aubergine velvet chair , and nearby is a pedestal table supporting a smooth, leather-covered journal and a raven feather quill.

    You also see a black iron-framed sign and an opaque violet-on-black curtain. In the glass display case you see a trillion-cut dragonfly saewehna with a rainbow sheen, a cabochon of dark blue amber with shimmering inclusions, a whirl-cut hazy violet smoldereye with argent sparks and a teardrop-shaped lustrous absinthe green pearl. Saewehna : Within the facets of this gem, countless hues mingle together, creating a jewel-toned rainbow at the saewehna's heart, which is constantly stirring.

    Roiling as if in the throes of a chaotic tempest, the colors spiral together, pulsing softly as they dance. Amber : The smooth, rounded surface of the amber holds beneath its glossy surface a myriad of inclusions that spear through the gem like gnarled fingers of lightning in a summer storm. From edge to heart, the intensity of its blue coloring darkens from a crystalline watery blue to deepest indigo. Smoldereye : The complex cut of this hazy gem lays bare its heart, revealing with clarity its soft violet hue and the orb-like inclusions that pulse with a silvery phosphorescence.

    Just beneath the surface of the smoldereye lurk the globes for which it is named, blossoms of luminescence that wink into and out of existence like a staring eye. Pearl : A myriad shades of green seem to roil just beneath the smooth surface of this pearl, the most prominent among them a vibrant absinthe hue. Like an oil sheen on water, an almost rainbow-hued glaze shrouds the teardrop, adding depth to its lustrous finish. Metal shavings and fallen droplets lie swept into a neat pile in one corner of the clear, hard-packed dirt floor.

    Several aprons hang from a long iron peg pounded into a broad wooden pole. You also see a scorched wooden table with some stuff on it and a charred supply crate. On the iron peg you see a black forging apron, a silk-lined forging apron, a singed leather apron, a heavy leather forging apron and a stamped leather apron. On the wooden table you see a felt-lined cherry wood box and a heavy mithglin slab. In the cherry wood box you see a gold tiger-claw blade-glyph, a gold tiger-claw grip-glyph, a gold lance shaft-glyph, a gold lance head-glyph, a gold maul shaft-glyph, a gold maul head-glyph, a gold rapier hilt-glyph and a gold rapier blade-glyph.

    Show: This glyph is a pattern of its real-life counterpart. Weapon forging glyph, gold quality. In the supply crate you see some blackened leather forging chaps, some silk-lined leather forging chaps, some sturdy leather forging chaps, a rusty iron horseshoe, some black leather forging gloves and some suede workgloves.

    Scattered among the coals are a number of brightly glowing incarnadine crystals that pulse with each gust of air. Some charred ceramic crucibles stand in a lopsided pile near a long wooden trough filled with stagnant water, and chunks of ore and melted slag are scattered around the courtyard in large heaps. On one side of the courtyard, a rusty iron water pump drips slowly into a deep moss-covered well.

    You also see a scarred dwarven miner. Obvious paths: west. Forge : Charred and blackened bricks form an enormous oval structure that spirals upward and tightens into a chimney nearly fifteen feet in height. Miner : The dwarven miner is wearing a battered forging apron and heavy leather chaps scarred with innumerable burns. A long, jagged scar snakes its way down his left arm while dirt and grime coat his uninjured flesh. Ask about slab : The dwarven miner turns to you and says, "Buy some ore, then take the chunk and PUT it in one of the crucibles.

    Ask me again if you're sure. Rendered along the perimeter are the blue-grey waters of a wide moat, with small hummocks in the background and a distant, dark forest. A threadbare curtain embroidered with a ruined drawbridge hangs to the north. You also see a tall modwir rack shaped like a tree with some stuff on it. On the modwir rack you see a flask of murky water, a thick rope belt, a striped swimming costume, a smoky quartz whirlpool pin, a miniature vine-etched catapult and an oak and brass-framed hourglass.

    Show: The catapult arm has been pulled back to the second notch. There is currently nothing in the catapult's tiny basket. Ruined towers have been painted in each corner, overrun with yellow-green vegetation. A dour assistant wanders through, straightening out wares that have been misplaced by customers. You also see a pair of rickety ebony doors. In the wooden crates you see a handful of rock salt, an engraved brass-edged compass, a drakar-tipped blackened oak wand, an ensigiled firestone wand, a drake-tipped scorched yew wand, an enruned stone wand and a small boulder.

    Most of the floor space has been used for storage of chests overflowing with random junk along with cleaning supplies. A frayed red velvet curtain partitions this section of the wagon from the area further north. You also see a pair of rickety ebony doors and a scratched glass-fronted wardrobe. In the golden bird cage you see a matte ivory rolaren hairpin and a gold-edged ebon vaalin hairpin. In the glass-fronted wardrobe you see a black swan castle-shaped hat, a black swan feather boa and a torn and frayed velvet cape. The walls have been painted completely black, and numerous charcoal sketches of deranged faces have been tacked onto the wood.

    You also see a squat stone pedestal with some stuff on it. On the stone pedestal you see a small vial of black grease, a green metal tuning fork, a yellow crystal sphere, a blue crystal sphere, a red crystal sphere and a large scratched gold coin. Show: A perfectly round yellow crystal ball rests on a grey stone base. Within the glass, dark water bubbles and roils with a faint yellowish tint. Motes of glimmering yellow light wink in and out of existence within the depths of the sphere. Show: A perfectly round blue crystal ball rests on a grey stone base.

    Within the glass, dark water bubbles and roils with a faint bluish tint. Motes of glimmering blue light wink in and out of existence within the depths of the sphere. Show: A perfectly round red crystal ball rests on a grey stone base. Within the glass, dark water bubbles and roils with a faint reddish tint.

    Motes of glimmering red light wink in and out of existence within the depths of the sphere. Show: The dull gold coin is very thick and has been scratched in numerous places. Stamped on one face is a malevolent, laughing swan wearing a heart-shaped eyepatch. The other side features an adventurer's body floating face-down in a castle moat.

    Droplets of fetid swamp water drip intermittently from the sagging, rotting rafters and into several rows of crumbling stone planters overflowing with various marsh plants. A rotted wooden trellis leans against the far wall opposite a battered door with rusted hinges. You also see a moldy canvas sign. You see several rows of crumbling stone planters. Looking at the planters , you see a broken granite planter , a crumbling sandstone planter , a stained travertine planter and a cracked limestone planter.

    In the granite planter you see a stem of frog fruit, some blush-hued swamp milkweed, some blades of porcupine sedge, a black toadskin lichen potion and some verdant wolf lichen. In the sandstone planter you see a blue-green bushy beard leaf, a lavender monkeyflower elixir, some fluffy ironweed, a narrow clump of blue stem and a murky mare's tail potion. In the travertine planter you see a muddy bur-reed elixir, a dark purple water willow potion, a milky buttonbush potion, a clump of coppery broomsedge and a growth of feather moss.

    In the limestone planter you see a swamp lily clove, a bundle of creeping spearwort, some glossy pennywort, a dry clump of rock moss and a cluster of aromatic sweetfern. On the wooden trellis you see a cream-spotted doeskin kit, a sinew-woven canvas field pack, a mud-caked leather herb satchel, a roan suede survival kit and a hip-slung ashen leather kit. In the witchwood crate you see a padded cotton bandage, a twice-wrapped linen bandage, a square of white cotton gauze, a neatly-tied white linen bandage and a threadbare yellowed cotton bandage.

    A stack of cauldrons dominates one corner, while several crates of jars, vials and flasks fill another. Partially hidden by a large copper rack , a narrow door is set in the back wall. A small cloth-covered opening leads out to a tented area next to the wagon. On the stack of cauldrons you see a hammered steel kettle, a small bronze cauldron and a wide iron vat. Show: The iron vat is currently unlit. Show: The bronze cauldron is currently unlit. Show: The steel kettle is currently unlit. In the crates you see a square-cut milky crystal bottle, a tinted coral crystal beaker, a slender citrine crystal jar, a small indigo crystal vial, a narrow clear crystal vial and a dark crimson crystal flask.

    Show: A thin silver chain is affixed to its lip, leading to a crystal cork that dangles at its side. Used to collect sea water or troll blood. Show: A thin vaalin chain is affixed to its lip, leading to a crystal cork that dangles at its side. Show: A thin faenor chain is affixed to its lip, leading to a crystal cork that dangles at its side. On the copper rack you see a snowy white coat, a dingy off-white coat and a long white coat. Several wooden boxes are piled against the wall with their lids partially removed. A small basket filled with various pouches and sacks is tucked beside them.

    Straw spills from a wooden crate , several sets of mortars and pestles can be seen tucked inside. A cloth-covered opening leads back into the shop. In the wooden boxes you see a crimson leather tome, an ivory leather portfolio, a smooth leather volume and a thin leather-covered book. In the small basket you see a soft ebon suede bag, a crimson leather sack, an ebon leather satchel, a dark canvas kit and a scuffed leather kit. Show: On its outside, the ebon suede bag bears a number of slender loops sewn along the front and back, with a pair of sturdy cylindrical compartments fitted on each side.

    The bag's interior is divided into numerous compartments of various shape and size, some lined with a soft fabric while others offer thick, buckled straps or ample loops to secure their contents. Scripted alchemy satchel. Show: On its outside, the leather sack bears a number of slender loops sewn along the front and back, with a pair of sturdy cylindrical compartments fitted on each side. The sack's interior is divided into numerous compartments of various shape and size, some lined with a soft fabric while others offer thick, buckled straps or ample loops to secure their contents.

    Show: On its outside, the leather satchel bears a number of slender loops sewn along the front and back, with a pair of sturdy cylindrical compartments fitted on each side. The satchel's interior is divided into numerous compartments of various shape and size, some lined with a soft fabric while others offer thick, buckled straps or ample loops to secure their contents.

    In the wooden crate you see an ebon stone pestle, an ebon stone mortar, a pale marble mortal, a pale marble pestle, an alabaster stone mortar and an alabaster stone pestle. A worktable has been crafted with some boxes and planks of wood. Several alchemist tools are set up on its surface.

    They are surrounded by various bottles and packets and flasks filled with ingredients. You also see a narrow door. Lining the two opposing dark-paneled walls of this long, narrow space are a series of narrow haon shelves , while a multitiered glass-fronted case takes up the entire far wall. Obvious exits: east , southeast , out. On the narrow haon shelves you see a bottle of vanilla syrup, a bottle of hazelnut syrup, a sugar cube, a smooth black iron kettle, a small copper stove, a glass coffee press, a shaker of white sugar, a shaker of cinnamon, a shaker of chocolate powder, a bottle of fresh cream, a small bottle of whiskey, a bottle of coffee liqueur and a bottle of orange-infused cognac.

    In the glass-fronted case you see a packet section , a tin section and a jar section. In the packet section you see a dark chestnut paper packet, a paper campfire-motif packet, a parchment almond-hued packet, a black parchment packet, a two-toned mottled paper packet, a crimped caramel paper packet and a mottled dark blue parchment packet. Read: A small label on the chestnut paper packet reads, "Chocolate and Chestnut" Contains one use of coffee grounds or tea leaves.

    Read: A small label on the campfire-motif packet reads, "Campfire Companion" Contains one use of coffee grounds or tea leaves. Read: A small label on the almond-hued packet reads, "Almond Dream" Contains one use of coffee grounds or tea leaves. Read: A small label on the black parchment packet reads, "Bittersweet" Contains one use of coffee grounds or tea leaves. Read: A small label on the mottled paper packet reads, "Four Seasons" Contains one use of coffee grounds or tea leaves. Read: A small label on the caramel paper packet reads, "Caramel Cherry Truffle" Contains one use of coffee grounds or tea leaves.

    Read: A small label on the blue parchment packet reads, "Mountain Blueberry Bouquet" Contains one use of coffee grounds or tea leaves. In the tin section you see a squat chestnut-etched tin, a campfire-motif tin, a white almond-etched tin, a black-painted silver steel tin, a painted two-toned metal tin, a cherry-motif caramel-colored tin and a mottled dark blue metal tin. Read: A small label on the chestnut-etched tin reads, "Chocolate and Chestnut" Contains medium amount of coffee grounds or tea leaves. Read: A small label on the campfire-motif tin reads, "Campfire Companion" Contains medium amount of coffee grounds or tea leaves.

    Read: A small label on the almond-etched tin reads, "Almond Dream" Contains medium amount of coffee grounds or tea leaves. Read: A small label on the silver steel tin reads, "Bittersweet" Contains medium amount of coffee grounds or tea leaves. Read: A small label on the two-toned metal tin reads, "Four Seasons" Contains medium amount of coffee grounds or tea leaves.

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    Read: A small label on the caramel-colored tin reads, "Caramel Cherry Truffle" Contains medium amount of coffee grounds or tea leaves. Read: A small label on the blue metal tin reads, "Mountain Blueberry Bouquet" Contains medium amount of coffee grounds or tea leaves. In the jar section you see a squat chestnut-etched jar, a campfire-motif jar, an opaque almond-hued jar, a silver-chased black glass jar, a two-toned mottled glass jar, a cherry-etched caramel-colored jar and a mottled dark blue glass jar.

    Read: A small label on the chestnut-etched jar reads, "Chocolate and Chestnut" Contains large amount of coffee grounds or tea leaves. Read: A small label on the campfire-motif jar reads, "Campfire Companion" Contains large amount of coffee grounds or tea leaves. Read: A small label on the almond-hued jar reads, "Almond Dream" Contains large amount of coffee grounds or tea leaves. Read: A small label on the black glass jar reads, "Bittersweet" Contains large amount of coffee grounds or tea leaves. Read: A small label on the mottled glass jar reads, "Four Seasons" Contains large amount of coffee grounds or tea leaves.

    Read: A small label on the caramel-colored jar reads, "Caramel Cherry Truffle" Contains large amount of coffee grounds or tea leaves. Read: A small label on the blue glass jar reads, "Mountain Blueberry Bouquet" Contains large amount of coffee grounds or tea leaves. A series of padded stools run along the front of a long glass-topped bar , while a distinguished gnome watches customers from behind the bar.

    Knock bar : You place silvers on the surface of the bar and knock on its surface, signaling the distinguished gnome behind the bar to serve you a drink. After collecting your silvers, he slides a vial of potent rum into your right hand and nods politely while saying, "Thank you, Nilandia.

    Beside the stove but separated by a few feet is a small wicker chest , its lid open to reveal its contents. The heady scent of freshly brewed coffee permeates the air, mixed with the stale, sour scent of spilled liquor. Obvious exits: northeast , northwest. In the wicker chest you see some spring water, a handful of tinder, an exceedingly dry split log and a match.

    Flanking the orange tent flap are a two-handed weapons rack and a polearms rack. On the weapons rack you see a heavy glaes meat cleaver, a heavy vaalorn takouba, a thin imflass estoc, a sharp mithglin flyssa, a nicked imflass espadon and a slender glaes backsword. On the weapons rack you see a heavy glaes tabar, a sharp glaes flamberge, a slender vultite bisacuta, a heavy villswood yoribo, a heavy vultite battlesword and a long imflass sabar.

    On the polearms rack you see a vultite-tipped voulge, a glaes-tipped runka and a light imflass-tipped glaive. Threadbare crimson and gold banners are hung from the crossbeams overhead. An ascending line of polished brass doorknobs is attached to the far wall. You also see a large verdant green sign and a dented steel and glass case.

    In the steel and glass case you see a ruby-studded black vultite ring, an emerald and blue vultite band, a twined faenor ivy ring, a thin faenor-linked necklace, a square dark bronze pendant, an enruned dark blue mithril amulet, a gold imflass fox head medallion, a bright purple amethyst pony talisman, a gold-accented chalcedony owl pendant, a heavy ora-linked bracelet, a bronze-inset burnished gold bracer, a woven steel and brass anklet, a verdigrised coiled copper anklet, some beaded copper hoop earrings, an opal-inlaid silver hoop earring, an angular blue mithglin belt buckle, a gold and faenor rose charm, a scorched bronze triangle charm, a honey beryl dandelion pendant, a thick gold ruby orb-topped stickpin, a golden vultite falcon pin and a matte black invar pickaxe pin.

    Threadbare azure and silver banners are hung on the walls of the wagon and a dingy grey carpet covers most of the floor. A legless statue sits in a corner, arranged so its lifeless gaze rests on a series of reinforced mannequins and a row of steel pegs. You also see a large cobalt blue sign and a short tanik shield rack with some stuff on it. On the reinforced mannequins you see a suit of white enameled platemail, a suit of blued steel half plate, a darkened steel augmented breastplate, a faenor-scaled thick steel cuirass, a gold-linked matte steel hauberk, some augmented iron and steel chainmail, some blued steel double chainmail and a gold-washed steel chain shirt.

    On the steel pegs you see a suit of gold brigandine, some studded boiled black leather, a set of tooled cuirbouilli leather, a boiled crimson leather breastplate, a thick pale blue bodysuit, some tooled reinforced leather, some full threaded leather, a beaded leather vest and some black cotton robes. On the shield rack you see a thick oval steel tower shield, a burnished steel round shield, a quartered steel target shield and a convex domed steel buckler. One corner of the floor is covered in colorful stuffing and red paint as if it were the aftermath of a toy onslaught, while a tiny red music box rests upon a stand and fills the wagon with an eerie dirge.

    You also see a large black spooky castle with numerous dolls and toys within and a blood red wooden rack with some stuff on it. In the spooky castle you see a furry rolton zombie toy, a fuzzy dark werebear toy, a soft white skeleton toy, a ghostly krolvin pirate toy, a flame-haired nightmare steed toy, a red-robed lich toy, a bedraggled ashen mummy toy, an orange-eyed black wraith toy, an onyx-eyed ghost wolf toy, a white frozen corpse toy, a brown tree spirit toy, a wavering death dirge toy, a starch white bone golem toy, a dark wailing banshee toy, a red-eyed arch wight toy and a grey ghoul master toy.

    On the wooden rack you see a tattered black bag, a bloodstained grey pack, a claw-bound driftwood toy chest and a bone-inlaid ebony toy chest. A constant buzzing of wings resonates throughout the small shack, and light filters through cracks, gaps, and knotholes in the planks, revealing the source of the noise to be a large wasp nest on the shack's roof.

    The interior of the shack is unadorned except for a huge wooden door left to rot on the trampled grass floor. Obvious paths: out. Door : Numerous patches of mold and fungi have taken residence on the door. Underneath, you see a deep hole , where something shiny reflects off the small amount of light filtering in through the crudely constructed walls of the shack.

    On the wooden door you see some sleek vaalorn-trimmed leathers, some sleek vaalorn-buckled hunts, some sleek vaalorn-scaled armor, a sleek vaalorn-banded breastplate, a suit of sleek vaalorn-inlaid platemail, a vaalorn-bound faewood buckler, a vaalorn-bound faewood parma, a vaalorn-bound faewood round shield and a vaalorn-bound faewood greatshield.

    In the deep hole you see some dark vaalorn-clasped gloves, some dark vaalorn-tipped boots, a thick vaalorn-buckled belt, a drawstring leather sack, a blackened leather pack, a rusty vaalorn-hilted dagger, a rusty faewood-hafted pike, a rusty vaalorn-hilted longsword, a rusty faewood-hafted cleaver, a rusty vaalorn-hilted warsword, a rusty faewood-hafted maul, a rusty vaalorn-gripped katar, a rusty faewood-hafted spear, a rusty vaalorn-hilted machete, a rusty faewood-hafted javelin, a rusty vaalorn-studded cestus and a rusty faewood-hafted adze.

    Sucking sounds from the noisome muck indicate the process is on-going. With its axles leaning to within a hand's breadth of the mire's surface, the wagon looks as though it is being slowly devoured by the swamp. You also see a tilted armoire. In the tilted armoire you see a high-collared black leather cloak, a gold-threaded black brocade cloak, a silvery-green leather cloak, a soft tawny doeskin cloak, a gold-threaded white samite cloak, a full-length black suede cloak, an embroidered magenta damask mantle, a lace-cuffed crimson velvet manteau, a floor-length black silk cape and a fleece-lined oilskin overcoat.

    Intricate cast iron lanterns hang from each post, casting a warm glow over the large space. A massive center post supports the gathered fabric of the ceiling. Several nails protrude from the central support, holding various goods for sale. A curtain is hung across the back of the tent, partitioning off some work space.

    On the nails you see a cast iron stewpot, a cast iron saucepan, a cast iron oven, a cast iron skillet, a flat cast iron griddle, a large wooden spoon, a rigid wooden spatula, a white-enameled stewpot, a white-enameled griddle, a white-enameled saucepot and a white-enameled skillet. Various blacksmithing tools lie strewn about, cluttering the area. A disheveled blanket roll rests rumpled in the corner. You also see a curtain. On the cast iron plate you see some crispy bacon, a stein of dark ale and some spicy cockatrice wings. Freshly disturbed, packed brownish-red dirt forms an uneven, makeshift flooring.

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    A pile of torn fabric rests in the far corner of the shack, a piece of which somewhat resembles the face of a smiling feline. You also see an old dilapidated case with some stuff on it. On the dilapidated case you see a tiny brown toy kitten, a slit-eyed ruddy brown toy cat, a glaring red-eyed toy cat, a ripped amber toy cat, a dirty purple toy cat, a spotted blue toy cat, a mangy white toy cat, a midnight black toy cat, a striped orange toy cat and a light grey grumpy toy cat.