The Dante Machine: What a 14th century poem can tell us about Computers

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  1. Dante's Inferno •
  2. Art of the ‘Divine’: Exhibit highlights modern echoes of Dante’s medieval realms
  3. Introduction: Shaw’s edition
  4. Share your voice

Those three still play a metaphorical role and often accurately describe modern reality, from the hellish to the heavenly. The exhibit plays with the notion that the three have parallels in the present-day concepts of history, mind, and cosmos. History: Outside the Northwest Science Building on Oxford Street is a dramatic reminder that this field is sometimes hell.

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Dante's Inferno •

Each one, with its muted checkerboard of greens and grays, represents a schoolchild killed during the earthquake in Sichuan, China. The backpacks are lined up like tombstones, and give off a smell of wet cloth. The artist, Ai Weiwei , organized the investigation that found the names of victims in schools in 74 towns.

Viewers peer into mirrors, globes, peepholes, and even a mesmerizing swirl of dark liquid. The Gund Hall exhibit could be an homage to Dante. His poetic purgatory, a realm where crimes of the mind are punished, explored the science of his time, including the movement of the sun, a spherical Earth, and time zones. Van den Boogaard at that time was working on this theme with the intention of preparing a badly needed textcritical edition of this voluminous Occitan treatise on grammar and poetry.

Unfortunately, his unexpected death at Christmas prevented realisation of this project, and Occitan studies at Amsterdam University came to an end - as it has happened at Utrecht University as well, although somewhat later. In the more than 30 years that passed since then, I followed the developments in this research field but did not actively contribute to it.

Now the time has come to change this and I hope to realise some first research results in the next few years.

Art of the ‘Divine’: Exhibit highlights modern echoes of Dante’s medieval realms

We are now expecting a new text critical edition of the first version of Las Leys d'Amors in prose and of the one extant Catalan version of it since the appearance of the much criticised but nevertheless indispensable three volume edition of Gatien-Arnoult After more than years we badly need a new, modern edition. The results of her research will be leading for our plan of publications on this subject, as it is rather inefficient to redo parts of her extensive research of this source tradition.

Frank gives ! This fact makes it difficult to analyse comparable or related rhyme schemes. In the next few years, in my research I will contribute to this subject. Sketch of the historic-literary context The context of my research in this field is the period that begins with the so-called decline of the classical trobador poetry that usually, but arguably; N'At de Mons from Mons near Toulouse is perhaps a better candidate is marked by the death of the Narbonne trobador Guiraut Riquier ca ? This period is an especially interesting one, as the heritage of the classical trobadors -simply said- spreads in Italian as well as in Catalan direction.

And, as the critics, rightly perhaps, claim, the quality of the golden trobador poetry was difficult to be equaled again. An interesting question is if this is the position we really need when studying those developments, as this bias on the quality aspects of the golden trobar period might prevent to look at other, equally important aspects of this poetry. Toulouse and Catalonia Fact is that, when we look at the tradition of the poetry sources, the so-called Toulouse School functioned as an intermediary between the classical trobadors' period and the Catalan courts and poets.

As usual, the last word in this dispute is far from being said. Trobadors and Italy On the other side of the map certainly the situation is all but less complicated. Dante Alighieri knew at least some works of a few great trobadors, including the Mantovan trobador Sordel lo , who wrote in Occitan, and selectively praises them in his major and minor works.

Introduction: Shaw’s edition

It is supposed that the trobador influence on Dante and other poets of the Dolce Stil Nuovo has been strong and generally spoken this is confirmed. Dante can be considered a trait d'union between the classic trobadors and renaissance poetry.

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But when, for exemple, comparing metric elements in the trobadors' poetry and in Dante's Vita Nuova and the Rime, this influence has still to be elucidated. Of Francesco Petrarca it is known that he lived in Southern France, to be precise in Avignon where, in , he saw Laura for the first time!

Share your voice

It is evident that he, like Dante, knew the trobador tradition. It is supposed that he also spoke Occitan, but as a poet of Italian origin he was born in Arezzo he wrote in Italian - except for one line he borrowed from the trobador Arnaut Daniel Canzoniere , Canzone 70, first stanza, last verse.

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  • This position as an Italian writing poet makes a connection to the Toulousan poetry competition since less probable, especially since in the years he studied law in Bologna and in returned to Avignon after his father's death. So he did not attend the festivities of the first Jocs Florals in No relation of Petrarca with the Toulousan poetry tradition has until now been confirmed. Trobadors and music It has long been known that the trobadors often were singers and musicians. Also, they worked together with joglars or menestriers who performed their cansos.

    Less than melodies survive in different manuscripts.