Die Erzählstruktur des Iwein (German Edition)

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  1. Freely available
  2. Iwein, First Edition
  3. Hartmann von Aue active 12th century [WorldCat Identities]

A bibliography and index conclude the study. Thomas proceeds along well-delineated lines to advance his central arguments: first, that Wigalois is consciously engaged in "literary dissent" 7 , not only from the larger European "Fair Unknown" tradition, but also more particularly from Wolfram's Parzival; and second, that "the narrator's undaunted partisanship for Gawan permits him to undergo a moral rehabilitation" 8. The central reservation which Thomas purports to later writers, including Wirnt, is that "many works of the classical generation were adjudged to be problematical in either a formal or moral sense" The call to "remove the works of Hartmann and Wolfram from their privileged position" 21 is prominent in advancing a critical reading of Wirnt.

According to Thomas, Wirnt "rejects the bipartite structure" of Parzival in favor of a "linear sequence An unknown error has occurred. Please click the button below to reload the page. If the problem persists, please try again in a little while. Intertextuality and Interpretation By Christoph, Siegfried. Read preview. We use cookies to deliver a better user experience and to show you ads based on your interests. Friedrich Wolfzettel Ed. All translations are my own unless otherwise noted.

According to Matthias Meyer, an audience familiar with the double cycle structure of Erec would not have been interested in listening to, nor captured by another story solely employing slight variations on the double cycle structure in Iwein. Bernard Cerquiglini expressed it most pointedly that medieval writing and literature is variance, 9 of which I believe playing with intertextuality and 5 See Haug note 2 , — A Critical History of Philology. Betsy Wing. Baltimore and London , 77— For a more complete discussion of this particular issue on variance and unstable transmission of medieval literature that I cannot fully explore here, an interested reader may wish to consult the following publications: Franz H.

Furthermore, this play with audience expectations and intertextuality allows Hartmann to highlight the significant roles women play in Iwein. To him, they are mere tools to tie Iwein and the story back to the structural frame, to perform a miracle so that Iwein can return to the normal sequences of adventures that are typical for the second cycle of an Arthurian romance.


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His failu- re to return to Laudine on time and his dismissal from her court cause him to go mad and live like a social outcast in the wilderness. Eventually healed by magic, he re-establishes himself in the second cycle of adventures as a worthy Arthurian knight with his new identity of the Knight with the Lion, and as ruler of his wife and her lands. In the end, he reaches a higher social status at both courts.

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Green, Medieval Listening and Reading. The Primary Reception of German Literature — Cambridge: Cambridge University Press, ; D. Thomas Bein, Frankfurt a. Disrupting the Discourse of Perfect Knightliness I. Medieval society had specific expectations of what made a knight manly, at least according to the idealized depictions thereof in literature. His ability to serve a lord, to defend himself and his lands against aggressors, to serve and protect women, children and the poor, to show mercy and compassion to- wards those less fortunate including a loser in a fight, to be steadfast and loyal, to show refi ned manners while at court and sufficient aggression or roughness in battle, all contributed to the establishment, preservation and increase of his masculinity, honor and social status.

When a man failed to act accordingly or lost his ability to act, his chivalric reputation suffered and his masculinity diminis- hed to the extent that a man could be perceived of as emasculated, as having lost his vigor and effectiveness, or even as effeminate, displaying passivity, dependence and woman-like behavior. To a certain extent, Iwein depicts a gender normative portrayal of a knight rising within his class, a man gaining acceptance from his peers. Yet his so- cial climbing is not characterized as flawless, as it is not exclusively based on sound knightly skills and courtly behavior.

Lees Ed. Regarding Men in the Middle Ages, Minneapolis , Furthermore, other works that have shaped my thinking on medieval gender, esp. Schultz Eds. Literatur und Gesellschaft im hohen Mittelalter. Lacy, Geoffrey Ashe, with Debra N. The Arthurian Handbook, 2nd ed. New York, London ; J. Rittergeist in Europa, — Iwein chooses not to submit himself to court and chivalric protocol and instead focuses solely on increasing his knightly fame.

That Iwein abandons his knightly training completely in this process has been overlooked entirely in previous scholarship. There he points out that Ascalon does not capitulate and profess loyalty and submission as was expected of him at this point in their battle, which fi nds him mortally wounded and beaten by Iwein. Volker Mertens Ed. Evelyn Meyer Ed. Throughout the text, I will use the manuscript classification see end of article for full identification of each manuscript as the source of the diplomatic text, i. CPG and Hs. I use diacritical marks on Middle High German words only when quoting from or referring to the practices of the standard print edition by Lachmann-Benecke-Wolff Hartmann von Aue, Iwein, Text of the 7th edition of G.

Benecke, K. Lachmann and L. However, I will also cross-reference manuscript quotes with line numbers of the standard edition of Iwein see fn. I will refer to this edition as LBW followed by the line number s of that editi- on. Nach- druck der Ausg. This phrase ane zuht is unique to the Middle High German adapta- tion of the story. Critical Edition of the manuscript B. Langley, Brian J. The Sagas of Ywain and Tristan and other Tales.

AM 4to, Ed. Foster W. Blaisdell, Rosenkilde and Bag- ger In the ME text, the knight flees with all his might, knowing full well that he was al- most dead with Ywayne quickly following him without being able to overtake him. Galba E ix, ff. Had Iwein allowed the mortally wounded Ascalon to retreat to his castle, as he should according to chivalric expectations, irre- spective of the fact that Ascalon in turn should have capitulated and submit- ted himself to Iwein, 22 Iwein would not have had the evidence of his victory and all his efforts would have been in vain. Thus focused on his success upon which his reputation depends, Iwein pursues Ascalon in an unknightly man- ner and abandons much of his knightly training and responsibility.

He is a knight ane zuht who proves his chivalric masculinity by being victorious and simultaneously calls his knightliness into question by violating rules of chi- valry. One of them was slain, and he cannot tell us about it. Therefore, I could clearly limit myself to [describing] both their many thrusts and blows and that the visitor slew the host by penetrating his helmet with such a blow that it went down to where the core of life lay.

At the same time, Iwein cannot have this victory tal- ked about, because it would reveal his arrogance, his lack of compassion for another and his unchivalric murder of another man. That is to say, his Zuchtlosig- keit [his personal lack of discipline, proper courtly and knightly behavior] would be displayed for all to see. His words fail to convince, his protests are empty words.

Irrespective of his verbal attempts to assert his masculinity and inde- pendence, he accepts his place of passivity and dependence, a gender role assigned primarily to women during those times. Iwein is feminized, as he has lost his ability to act, to control and dominate the situation, and to de- fend himself as a knight. In his attack on Ascalon, he is undisciplined, reckless and fanatic — more akin to a berser- ker than a knight. In needing to defend himself in enemy territory, he loses his horse and spurs and is utterly immobilized and defenseless and stripped of the knightly trappings of his masculinity.

His transgressions are glossed over, if not ignored entirely. Schulz note 12 , Disrupting the Discourse of Perfect Knightliness nor his actions as a conscious decision to disregard what is expected of him as a knight and member of courtly society. There- fore, this fi rst cycle of knightly adventures only serves as the precursor for the second cycle, where Iwein, as the Knight with the Lion, is given another chance to show his personal growth and maturity and that he is indeed wor- thy of the privileges that come with knighthood, kingship and marriage and able to fulfi ll his responsibilities that come with these positions.

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Iwein, First Edition

As he combines aven- tiure with deeds of Christian charity and develops a self that incorporates reliance on and trust in God, Iwein advances towards perfection. However, I believe that this is far too simplistic an interpretation of Iwein, especially as these interpretations do not account for the complex and non- binary gender constructions embedded in the story. Gentry Ed. Iwein is acting his gender by engaging in knightly combat and being vic- torious, yet his actions reveal his flawed character, with which he brings shame on himself and others.

With her assistance, he becomes someone. Through the actions of a woman, he gains a beautiful wife and becomes ruler of her lands and a re- spected knight. From the beginning of the sto- ry, Hartmann constructs Iwein as a gendered contradiction, shifting back and forth between what in binary gender constructions has been construed as masculine vs. He is exceptionally chivalrous in his interactions with Lunete, and he gives Iwein good advice about maintaining his hard earned knightly reputation.

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Disrupting the Discourse of Perfect Knightliness but at the same time, the author disrupts that discourse of perfection, as he did with Iwein. A woman cannot love her husband if his fame and worth are lost, which can only be maintained through chivalric actions, such as participation in tournaments. Furthermo- re, Gauvain tells Yvain that the pleasure of love will grow sweeter when de- layed and the anticipation of such pleasures makes them more fulfi lling when fi nally experienced. Yet is Gauvain really qualified to speak about married life? He himself is not known to be married or linked to any particular lady on a long-term basis.

Busby noted that Gauvain apparently cannot imagine that there is nothing wrong with being married and that it is possible to live in a happy relationship on a constant basis. Meyer ll. Arrathoon Ed.

Hartmann von Aue active 12th century [WorldCat Identities]

But not Gawein, who acts on his own and pulls Iwein away from the crowds. Theirs is a conversation between peers. Gawein almost warns Iwein away from marriage, depicting it as cau- sing effeminization in the married knight and even reducing or erasing his knightly masculinity. Only from time to time should he go out to knightly tournaments to prove his knightly skills. However, in the larger context of his advice, Gawein paints a particularly bleak image of what it means to be a property owner and ruler, and he only gives Iwein examples of excuses made by others as to why they could not maintain their knightly reputation.

Their duties to maintain their lands and wedded bliss kept them from knightly adventuring. Gawein does not want Iwein to suffer the devastating consequences which Erec endured after he verlah himself with his wife Enide. Do not focus all your well being on it [i. Had he not recovered himself as a knight should, his honor would have been destroyed.

He loved too much! Gawein is unwilling to lose his best friend to a woman! Perhaps Gawein knows that Iwein lacks the maturity and ability to attend to all his duties as husband, ruler, and Ar- thurian knight and therefore manipulates him by misdirecting his focus ex- clusively onto his knightly duty at the expense of his marital responsibili- ties.

He passed his time with much pleasure. It is said that my Lord Gawein kept and overpowered him with his good deeds that he forgot about the deadline of a year and neglected his promise. Disrupting the Discourse of Perfect Knightliness one year has not yet been fully investigated. Ruh fn. She sees descriptions of entrapment as the dominant thread in Iwein. In many ways, it is a convincing argument, but it makes too many excuses for Iwein and strips him of his agency, his ability to make conscious choices. Gawein and his agenda, that of increasing ones knightly fame.

Like Iwein, Gawein cannot balance multiple responsibilities and clearly privileges knightly actions over other ones. The surface-level discourse of the perfect knight representing idealized masculinity again is disrupted by flawed beha- vior. Gawein removes Iwein from the potential pitfalls and tempta- tions of his wife and her court instead of helping him live within that world and successfully learn to resist temptation and to balance his multiple re- sponsibilities.

His words are good and sound, but his actions are not, at least not exclusively. With the loss of female protection and magic supplied by women, his world unravels and collapses. The disposal of clothing leads to a total abandon of the person hitherto present in the story and a reduction to mere bodily functioning. The fact that a male hero expresses despe- ration is striking as prior to Iwein only female protagonists were known to express desperation in courtly epic.