The Role of the Critic (Oberon Masters Series)

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But when a mysterious woman finds her way into their lives, the siblings clash over much more than the family business. Fire up some Motown, get those hips moving and everything will work out fine. The well-known tale of is here dramatised by Matthew Dunster. War is Peace. Freedom is Slavery. Ignorance is Strength. Agatha his mother lopped five years from her true age and his when she married the amiable Posket. High jinks and high-spirited carousing are at the heart of this hilarious farce. Simon Beaufoy, the Oscar-winning writer of the film, has now gone back to Sheffield where it all started to rediscover the men, the women, the heartache and the hilarity of a city on the dole.

From Morning To Midnight , among the most frequently performed German Expressionist works, charts the life of a cashier who steals money from the bank and flees to Berlin. It is a popular piece in which Kaiser satirized the cheapness and futility of modern society. His hero, a kind of machineage Everyman, searches everywhere for some kind of fulfillment — in commercial sex, in salvationist religion — but discovers through a series of nightmarish episodes that the world is deceitful and illusory.

In the end, disillusioned and pursued by the police, he takes his own life. A man mourns the loss of his lover, a mathematician mourns her own fate. Ramanujan looks to create some of the most complex mathematical patterns of all time. Under the watchful gaze of his young assistant and the threatening presence of a new generation of artists, Mark Rothko takes on his greatest challenge yet: to create a definitive work for an extraordinary setting. A moving and compelling account of one of the greatest artists of the twentieth century whose struggle to accept his riches and praise became his ultimate undoing, Red premiered at the Donmar Warehouse, London in December Lovesong is the story of one couple, told from two different points in their lives — as young lovers in their 20s and as worldly companions looking back on their relationship.

Their past and present selves collide in this haunting and beautiful tale of togetherness. A terrifying tour de force. The permanently ravenous Francis spots the chance of an extra meal ticket and takes a second job with Stanley Stubbers, who is hiding from the police and waiting to be re-united with Rachel. To prevent discovery, Francis must keep his two guvnors apart. Acclaimed playwright Laura Wade explores the lives of the young, wealthy and privileged. Are the high-jinks of the tail-coated Riot Club boys the last gasp of a dying breed? In an oak-panelled room in Oxford, ten young bloods with cut-glass vowels and deep pockets are meeting, intent on restoring their right to rule.

Members of an elite student dining society, the boys are bunkering down for a wild night of debauchery, decadence and bloody good wine. Welcome to the Riot Club. A dramatic reconstruction of the hearings into the death of black teenager Stephen Lawrence, which erupted into national outcry. William J. The Oberon Classics list includes collections of plays by some of the giants of the international classical canon in English-language translations and adaptations.

Of interest to scholars and students on the page, as well as having a proven track record on the stage. The power and magic of the Faust story, the man who, in a pact with the Devil, trades his soul in return for a period of total knowledge and absolute power, is one of the most potent of all European myths.

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Jean Racine is the greatest tragedian of the French seventeenth century. Britannicus is set in the court of the young Emperor Nero, and in an atmosphere seething with erotic tension, documents the power-struggles surrounding the birth of a legendary despot. Berenice probes the hearts of two lovers as they are torn apart amidst the splendours of Imperial Rome, and in Phedra, a woman betrayed by her own desires descends into a personal hell of shame, guilt and remorse.

His heroines are propelled, by birth or a sense of divine mission, into exalted political positions, where their qualities as human beings, and particularly as women, are put to the severest tests, from which they emerge triumphant, but doomed.

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Thebes is under attack. King Creon issues an edict: Eteocles, who nobly defended Thebes against his brother and the invading army, is to be buried a hero; the body of his treacherous brother must be left to rot. Antigone and her uncle are locked in conflict. As the new king, Creon cannot ignore her actions — her defiance is a matter of national security.

The religious fraud Tartuffe has wormed his way into the affections and household of rich merchant, Orgon, with pantomime piety and counterfeit zeal. So comprehensively has he hoodwinked Orgon that he looks set to succeed in driving away the son, marrying the daughter, seducing the wife and imprisoning Orgon.

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Dionysus, the god of wine and theatre has returned to his native land to take revenge on the puritanical Pentheus who refuses to recognise him of his rites. Remorselessly, savagely and with black humour, the god drives Pentheus and all the city to their shocking fate. But all his artful plans serve only to speed him towards the fate he is so desperate to avoid. Comic poet and dazzling swordsman, Cyrano is hopelessly in love with Roxane. But Roxane loves the dashing Christian. A universal, action-packed love story which has been a popular hit on the stage for over a century and the inspiration for countless films.

The Propeller Shakespeare series is made up of some of Shakespeare's greatest plays, produced by the highly acclaimed Propeller Shakespeare company, led by Edward Hall. The Taming of the Shrew is a play about the power struggle between the sexes. King Leontes falls prey to an inexplicable jealousy of his wife Hermione; it causes her apparent death and the actual death of his young son Mamillius. Sixteen years of repentance, supervised by Paulina, lead to scenes of reunion and reconciliation — but without concealing the cost in human terms. Twelfth Night is an ambiguously erotic comedy.

It also contains his first great theatrical creation: Richard is charming, witty, ironic, terrifying — but he is also the embodiment, in his own personality, of the violence and chaos of the Wars of the Roses. The Comedy of Errors is a brilliant piece of theatrical mechanism, a story of mounting confusion involving two pairs of twins.

But it also explores the relations between lovers and between husband and wife, and ends with the warmth and reconciliation of a multiple family reunion. Emil is excited to be taking the train on his own for the first time. Emil will just have to keep his wits about him and his money in his pocket. But Emil falls asleep and when he wakes up the man in the bowler hat is gone - and so is the money!

Emil is determined to get it back. He teams up with a gang of young detectives and so begins a hair-raising chase across Berlin to catch the dirty rotten thief This play opens at the National Theatre in November With famine gripping Ireland, Sean and Annie have just one chance of survival — they must find their father. Leaving their dying mother behind, they travel across rough seas to America. With only the gold torch that Annie wears as a necklace to protect them, they embark on a long and dangerous journey.

But will they ever be reunited with their family? Twist of Gold is an epic adventure, a classic novel by the masterful storyteller and author of War Horse, Michael Morpurgo. What could a play written 2, years ago possibly mean today? Set in the aftermath of a bloody civil war, Antigone fights for what she believes is right. Now, in a new play by Tim Crouch, this unlucky man is given a chance to tell his story.

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Visit: www. This collection of energetic, fun and emotionally honest, tragi-comic plays explore the turbulent journey from childhood through adolescence towards eventual adulthood. Private Peaceful relives the short life of Tommo growing up in rural Devon before fighting the battles and facing the injustices of the First World War. In Toro! Each play is accompanied by an introduction from Michael Morpurgo.

This is the first adaptation of Treasure Island with great parts for both male and female performers. This swashbuckling stage adaptation brings out all the comedy and adventure of this ever-popular story. The play can be simply staged, is suitable for performance by children and adults and can be adapted to suit a large company or a small team playing several roles. After an astonishing few years of creative frenzy, Kneehigh joins those ranks.

Four children are evacuated from London during the Blitz. The land of Narnia is under the spell of the wicked White Witch, and the four very quickly find themselves caught up in a deadly struggle between good and evil. When this adaptation of C.

  • All the world's a stage for critics, writers - and even scientists.
  • All the world's a stage for critics, writers - and even scientists.
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A group of teenagers do something bad, really bad, then panic and cover the whole thing up. DNA is a poignant and, sometimes, hilarious tale with a very dark heart. This edition also features notes for teachers and group activity suggestions for the classroom. Rarely do you find a play that upon reading just the first two pages, you know that your students will love…not much will top this one for Key Stage Three, even for GCSE. Broncoing kicking the swing over the bar is the social bench mark and a dangerous mixture of vandalism and sport.

Decky is the smallest of the group and the only one who cannot Bronco. His friend David remembers the event of that summer, which at first seem hilarious but ultimately remain painful, as the boys are faced with an unthinkable tragedy and are thrown into a restless adulthood. A romp through the bubblegum years of teenage life. Angela and Mazine, besotted with Madonna, play truant from school, form a band, attempt to write songs and, with hairbrushes in hand, live out their adolescent dreams of becoming famous.

No neat moral yarn, but a humorous and haunting fable. The White Rabbit is late for the Duchess. And the Hatter is, well, mad. In this new adaptation by renowned playwright and Sheffield native, Laura Wade, you can follow Alice as she escapes her bedroom to find adventure in a topsyturvy world. Furiously inventive and wonderfully designed. Kelly, right, Kelly the bitch decides to have a party on the very same night as my sleep over — the very same night!

And she invites everybody — absolutely everybody I want to die! Welcome to the world of year-old Katie as she battles her way through the bitches, the chavs, the misery of school discos and the desperate search for a worthy boyfriend. A turbulent and triumphant tale of a totally troubled teen. These shortened versions of plays by William Shakespeare, adapted for the National Theatre by renowned director and producer Carl Heap, preserve the core plots and retain the original language, and yet are presented very much with the target age group in mind.

Introductory notes will help readers, teachers and practitioners alike to imagine or produce their own versions. It welcomes the best dance companies from Britain and around the world. But its significance is that it commissions the best choreographers, designers, musicians and artists to create new and exciting dance.

In words and pictures this book celebrates that inspirational process. It is the dance house. This beautifully produced new book by Royal Ballet dancer Andrej Uspenski is a collection of exclusive photographs which shines the spotlight on ballet, the most beautiful of art forms. These exquisite photographs feature some of the finest dancers onstage today, bringing the reader into the magical world of ballet.

Oberon Books continues to publish the Royal Ballet Yearbooks, each edition of which is guaranteed to bring all ballet lovers up to date with the latest activities, performances and company news from the prestigious Royal Ballet.

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This lavish coffee table book is a celebration of twenty years of the Birmingham Royal Ballet in Birmingham, illustrated with over photographs by Bill Cooper and featuring an introduction about the Company from dance critic, Judith Flanders. New for the paperback edition is an additional chapter on the critically acclaimed, 20th-anniversary Birmingham Royal Ballet production of Cinderella, as broadcast by the BBC at Christmas in Michael Nunn and William Trevitt, aka the Ballet Boyz, are pioneers in making modern dance accessible and entertaining through their celebrated stage and television work.

In they set up their own company, Ballet Boyz, and established themselves as one of the most original and dynamic partnerships in modern dance: revolutionising programming formats; commissioning new choreography; collaborating with a wide range of cuttingedge talents and building a following through their regular television appearances on the BBC, Channel 4 and Sky Arts.

A must for anyone interested in the art of movement. Then again, dance is a wordless art form about movement rather than dialogue — and perhaps this is what Trevitt and Nunn are recreating through this book. The Story of the Ring is a wonderful retelling in English by acclaimed film producer Michael Birkett with illustrations by Elizabeth Bury. From Swan Lake and The Sleeping Beauty to contemporary pieces by the leading choreographers of the day, this is a unique photographic record of one of the foremost ballet companies in the world in performance and rehearsal at the Royal Opera House.

The Oberon Masters series is a collection of elegant, pocket-size hardbacks dedicated to philosophy and the arts. Written by leading thinkers in their respective field these unique essays span a range of topics. Janet Suzman has played them all and directed some. Here she examines their complexity and explores why only Cleopatra has an independence that allows her to speak to modern women. A collection of short essays and reflections on poetry from the acclaimed British poet Glyn Maxwell. An English Ballet provides thought-provoking and fascinating reading for all lovers of ballet, dance and art.

Actor and master raconteur Peter Bowles invites us backstage to witness the job of acting as it really is. This is a warm-hearted look at the lived experience of a jobbing actor — and a survival guide to anyone thinking of entering this most emotionally gruelling of industries. Do religions have an inherent right to be respected? In a series of bold, unsparing polemics, A C Grayling tackles these questions head on, exposing the dangerous unreason he sees at the heart of religious faith and highlighting the urgent need we have to reject it in all its forms, without compromise.

In its place he argues for a set of values based on reason, reflection and sympathy, taking his cue from the great ethical tradition of Western philosophy. Following Against All Gods, the renowned philosopher A C Grayling returns to the topic to further develop his argument for more secularism in society and sets out a fuller statement for the case against religion.

Dawkins publicly fights fire with fire, while Grayling has opted for a gentler advocacy of humanist values. Assailed on all sides by flexible working, short-termism, portfolio careers, quick-fix training and the cult of celebrity, craftsmanship has recently re-entered public debate with a new sense of urgency. This series of linked essays by the man who ran the Royal College of Art for many years, explores the crafts in education, in history and literature, in the contemporary arts landscape, in the language, in the digital age, and takes an unsentimental, hard-headed look at craftsmanship today.

In these four lectures Peter Hall reveals a lifetime of discoveries about classical theatre, Shakespeare, opera and modern drama. The central argument is that form and structured language paradoxically give freedom to power of thought and feeling, much as the masks of early Greek drama enabled actors to express extreme emotion. The National Theatre Story is filled with artistic, financial and political battles, onstage triumphs — and the occasional disaster.

Formed of a core group of associate artists who collaborated in making groundbreaking, high-quality new work which gained an international reputation.

The Role of the Critic - Nicholas Dromgoole - Google книги

Over the course of its 16year history the company worked with some of the most respected artists and organizations in the UK and internationally, and made a significant contribution to the British theatre scene of the s and early s. Includes the previously unpublished playtexts of three of its most celebrated shows, Timeless, Mainstream and Lament all created by the company with text by David Greig. To this day The White Hart and The Red Lion are two of the most popular names for a public house in England — both talismans that served as the insignia for Richard II and the banished Henry Bolingbroke, Duke of Lancaster, who usurped the throne in From Alnwick to Eastcheap, Windsor Castle to a Leicester car park, this is his snapshot of England and its people, then and now.

The Dark Oberon Modern Plays. Contemporary Monologues for Teenagers Male. Film Performance From Achievement to Appreciation. Puppetry How to Do It. Game On! Relentlessly Pursue Your Dreams. Merely Players Acting like Shakespeare really matters. Item Added: The Role of the Critic. Not registered? Forgotten password Please enter your email address below and we'll send you a link to reset your password.

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