Hard Times

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  1. Make Beauty in Wounded Places
  2. Radical Joy for Hard Times is for Finding and Making Beauty in Wounded Places
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Learn More in these related Britannica articles: Josiah Bounderby. Bounderby uses everyone around him to further his own interests.

He keeps the existence of his mother a secret as he perpetuates the myth that he began life as an orphan who had to struggle to survive and to establish himself. For Dickens he embodies the unsympathetic qualities of the utilitarian social philosophy prevalent in Victorian England. Novel, an invented prose narrative of considerable length and a certain complexity that deals imaginatively with human experience, usually through a connected sequence of events involving a group of persons in a specific setting.

Within its broad framework, the genre of the novel has encompassed an…. Charles Dickens, English novelist, generally considered the greatest of the Victorian era. Dickens enjoyed a wider popularity during his…. For Dickens he embodies the unsympathetic qualities of the utilitarian social philosophy prevalent in Victorian….

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Paramore - Idle Worship (Official Audio)

Edit Mode. Andy Compton. Gary Morris. David Wagstaff. Zephyr Prusinski.

Make Beauty in Wounded Places

Jim Washer. Jb Castets. Seishiro Fujimoto. Genis Worksong. Leena Sharma. The English Cut. Martin Griffith.

Radical Joy for Hard Times is for Finding and Making Beauty in Wounded Places

Jens T. LostSoul Creative. Blake Mikesell. Garret Voorhees. Matt H. Andrew Dubber. Cactus Breath. Intuitive Cat.

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Brandon McDuffie. Beat Median. Neil Maclean. This is the principle on which I bring up my own children, and this is the principle on which I bring up these children. Stick to Facts, sir! The scene was a plain, bare, monotonous vault of a school-room, and the speaker's square forefinger emphasized his observations by underscoring every sentence with a line on the schoolmaster's sleeve. The emphasis was helped by the speaker's square wall of a forehead, which had his eyebrows for its base, while his eyes found commodious cellarage in two dark caves, overshadowed by the wall.

The emphasis was helped by the speaker's mouth, which was wide, thin, and hard set.

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The emphasis was helped by the speaker's voice, which was inflexible, dry, and dictatorial. The emphasis was helped by the speaker's hair, which bristled on the skirts of his bald head, a plantation of firs to keep the wind from its shining surface, all covered with knobs, like the crust of a plum pie, as if the head had scarcely warehouse-room for the hard facts stored inside.

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The speaker's obstinate carriage, square coat, square legs, square shoulders, - nay, his very neckcloth, trained to take him by the throat with an unaccommodating grasp, like a stubborn fact, as it was, - all helped the emphasis.