The Less Deceived

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  1. The Less Deceived by philiplarkin | Philip Larkin | Free Listening on SoundCloud
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Auden date from his schooldays and the latest close to his death. Taken in their chronology, they are impressively mature and self-sufficient.

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The Less Deceived by philiplarkin | Philip Larkin | Free Listening on SoundCloud

Larkin appealed primarily to the British sensibility; he remained unencumbered by any compunction to universalize his poems by adopting a less regional idiom. Perhaps as a consequence, his poetry sells remarkably well in Great Britain, his readers come from all walks of life, and his untimely cancer-related death in has not diminished his popularity. He was, of all English poets, a laureate too obvious to need official recognition.

The Society of Authors was to look into legal issues involved in the matter. Additionally, Thwaite published previously unpublished poems and fragments in the earlier volume, drawing some criticism from Larkin scholars. Prose Home Harriet Blog. Visit Home Events Exhibitions Library. Newsletter Subscribe Give. Poetry Foundation.

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More About this Poet. Region: England. Poems by This Poet Related. An Arundel Tomb.

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THE LESS DECEIVED - Love's Labour's Lost

The Whitsun Weddings. The Less Deceived , first published in , [1] was Philip Larkin 's first mature collection of poetry , having been preceded by the derivative North Ship from The Fortune Press and a privately printed collection, a small pamphlet titled XX Poems , which Larkin mailed to literary critics and authors.

Unfortunately, Larkin was unaware that postal rates had gone up, and most recipients, when asked to pay the difference for delivery of a pamphlet by a little-known writer, turned them away; only around copies were printed. Despite this setback, 13 of the 20 poems, together with 16 new poems, [2] [3] were finally published to much acclaim in as The Less Deceived , which was selected as a book of the year by the Times Literary Supplement and immediately went through several impressions.

The Less Deceived: Poems

Put out by The Marvell Press, a small operation run by the enterprising and persistent George Hartley in Hessle , East Yorkshire , the book through the depth of its appeal, the formal skill of its verse, and its consistent striking of Larkin's distinctive tone gained wide readership. By the end of The Less Deceived was recognized as one of the outstanding collections of the year.

The first poem in it, chronologically, to be written was "Going," of February These are Larkin's most persistent themes. Throughout the collection, the feeling of diminishment and loss is pervasive, whether in the visit of a cyclist to a church in the volume's best known poem, "Church Going," or in the alienation of the speaker looking at a photograph of a young lady, or in the man in "Toads" beaten by work into an imprisonment he then wills, or even in the "I" who "starts to be happy" when light strikes on the "foreheads" of houses.

Philip Larkin said on more than one occasion that his discovery of Thomas Hardy's poetry was a turning point in the writing of his own poetry: "I don't think Hardy, as a poet, is a poet for young people.


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  • I know it sounds ridiculous to say I wasn't young at twenty-five or twenty-six, but at least I was beginning to find out what life was about, and that's precisely what I found in Hardy. In other words, I'm saying that what I like about him primarily is his temperament and the way he sees life. He's not a transcendental writer, he's not a Yeats, he's not an Eliot; his subjects are men, the life of men, time and the passing of time, love and the fading of love.

    The Less Deceived

    When I came to Hardy it was with the sense of relief that I didn't have to try and jack myself up to a concept of poetry that lay outside my own life -- this is perhaps what I felt Yeats was trying to make me do. Unfortunately, Larkin was unaware that postal rates had gone up, and most recipients, when asked to pay the difference for delivery of a pamphlet by a little-known writer, turned them away; only around copies were printed. Despite this setback, 13 of the 20 poems, together with 16 new poems, [2] [3] were finally published to much acclaim in as The Less Deceived , which was selected as a book of the year by the Times Literary Supplement and immediately went through several impressions.

    Put out by The Marvell Press, a small operation run by the enterprising and persistent George Hartley in Hessle , East Yorkshire , the book through the depth of its appeal, the formal skill of its verse, and its consistent striking of Larkin's distinctive tone gained wide readership. By the end of The Less Deceived was recognized as one of the outstanding collections of the year.

    The first poem in it, chronologically, to be written was "Going," of February These are Larkin's most persistent themes. Throughout the collection, the feeling of diminishment and loss is pervasive, whether in the visit of a cyclist to a church in the volume's best known poem, "Church Going," or in the alienation of the speaker looking at a photograph of a young lady, or in the man in "Toads" beaten by work into an imprisonment he then wills, or even in the "I" who "starts to be happy" when light strikes on the "foreheads" of houses.

    Philip Larkin said on more than one occasion that his discovery of Thomas Hardy's poetry was a turning point in the writing of his own poetry: "I don't think Hardy, as a poet, is a poet for young people.


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    • I know it sounds ridiculous to say I wasn't young at twenty-five or twenty-six, but at least I was beginning to find out what life was about, and that's precisely what I found in Hardy. In other words, I'm saying that what I like about him primarily is his temperament and the way he sees life. He's not a transcendental writer, he's not a Yeats, he's not an Eliot; his subjects are men, the life of men, time and the passing of time, love and the fading of love. When I came to Hardy it was with the sense of relief that I didn't have to try and jack myself up to a concept of poetry that lay outside my own life -- this is perhaps what I felt Yeats was trying to make me do.

      One could simply relapse back into one's own life and write from it.