Sawyer, Hugo, Nebula, John W. Campbell Memorial, and Robert A. I've always been an index card guy, using different colors on a giant corkboard to beat out a story.
7 Ways to Overcome Writer’s Block
Writer's Blocks helps me do everything I did with cards and much more, then lets me transfer the finished outline easily to my word processing program. I use it for everything from massive screenplay outlines to tiny scene restructurings. Plus it let me get rid of the corkboard and put up something nicer to look at.
Howard M. The program is creative, educational, practical, professional, and fun!
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As a professor I believe in strict story structure and plotting. These requirements often overwhelm students, but Writers Blocks enables them to transition smoothly from left-brain to right-brain and back again. Writer's Blocks is a powerful writing tool that will help you get your ideas out of your head and onto the page faster than ever before.
Simply type your thoughts into the blocks. Each block is a full-blown word processor document that holds unlimited text. The result is word processing power with the far greater control, organization and creative freedom than you're currently used to. Writer's Blocks provides you with dozens of time-saving, creativity-enhancing features you have to experience to appreciate.
By throwing your ideas into blocks, ALL your ideas remain in front of you. In a snap, you can arrange, color-code, and group them into columns to organize them to perfection. You're no longer restricted by the endless scrolling of archaic word processing software. This refreshing and streamlined approach keeps your brain immersed in the flow state of heightened creativity.
As a result, you experience more pleasure and joy as you write. Writer's Blocks gives you both a bird's eye view of your entire work. This gives you greater writing efficiency without taking away anything you're already used to. Now you write at a faster pace because you're not interrupted or distracted by document navigation. Writer's Blocks has dozens of features that let you save time and concentrate on your writing.
Try Writer's Blocks Now. The more pages you add to your book, report, manuscript or other written work, the more difficult it becomes to manage, navigate and polish — because your word processor only lets you see and work with one small piece of your work at a time. You'll love how much more productive, enjoyable, and creative your writing becomes with Writer's Blocks for Windows. It lets you create, view and organize your writing in ways you always wished or never imagined you could.
Click to enlarge screenshot. Take your writing to the next level with rows or columns. Writer's Blocks' familiar, intuitive interface means you'll be productive from the start. You'll spend more time writing and less time operationg the software. Each type of creative slowdown has a different cause — and thus, a different solution.
Instead of feeling overwhelmed by the terrifying mystique of Writer's Block, it's better to take it apart and understand it — and then conquer it. Here are 10 types of Writer's Block and how to overcome each type. You can't come up with an idea. This is the kind where you literally have a blank page and you keep typing and erasing, or just staring at the screen until Angry Birds calls to you. You literally can't even get started because you have no clue what to write about, or what story you want to tell. You're stopped before you even start. There are two pieces of good news for anyone in this situation: 1 Ideas are dime a dozen, and it's not that hard to get the idea pump primed.
Execution is harder — of which more in a minute. Do a ton of exercises, in fact. Try imagining what it would be like if a major incident in your life had turned out way differently. Try writing some fanfic, just to use existing characters as "training wheels. Think of something or someone that pisses you off, and write a totally mean satire or character assassination. You'll revise it later, so don't worry about writing something libelous at this stage.
This is the easiest problem to solve. You have a ton of ideas but can't commit to any of them, and they all peter out. Now this is slightly harder. Even this problem can take a few different forms — there's the ideas that you lose interest in after a few paragraphs, and then there's the idea that you thought was a novel, but it's actually a short story.
More about that here.
20 tips for overcoming writer’s block
The thing is, ideas are dime a dozen — but ideas that get your creative juices flowing are a lot rarer. Oftentimes, the coolest or most interesting ideas are the ones that peter out fastest, and the dumbest ideas are the ones that just get your motor revving like crazy. It's annoying, but can you do? My own experience is that usually, you end up having to throw all those ideas out. If they're not getting any traction, they're not getting any traction. Save them in a file, come back to them a year or ten later, and maybe you'll suddenly know how to tackle them.
You'll have more experience and a different mindset then. It's possible someone with more stubbornness could make one of those idea work right away, but probably not — the reason you can't get anywhere with any of them is because they're just not letting you tell the story you really want to tell, down in the murky subconscious. The good news? Usually when I'm faced with the "too many ideas, none of them works" problem, I'm a few days away from coming up with the idea that does work, like gangbusters.
Your mind is working in overdrive, and it's close to hitting the jackpot. You have an outline but you can't get through this one part of it. Some writers work really well with an outline, some don't. For some writers, the point of having an outline is to have a road to drive off, a straight line to deviate from as far as possible.
7 Ways to Overcome Writer’s Block | Writer's Digest
Plus, every project is different — even if you're an outline fan usually, there's always the possibility that you need to grope in the dark for this one particular story. Actually, there are two different reasons you could be getting stuck: 1 Your outline has a major flaw and you just won't admit it. You can't get from A to C, because B makes no sense. The characters won't do the things that B requires them to do, without breaking character.
Or the logic of the story just won't work with B. If this is the case, you already know it, and it's just a matter of attacking your outline with a hacksaw. Because it's boring, or because you just can't quite see how to get from one narrative peak to the next. You have two cool moments, and you can't figure out how to get from one cool bit to the other. More on that here. In either case, there's nothing wrong with taking a slight detour, or going off on a tangent, and seeing what happens.
Maybe you'll find a cooler transition between those two moments, maybe you'll figure out where your story really needs to go next. And most likely, there's something that needs to happen with your characters at this point in the story, and you haven't hit on it yet. You're stuck in the middle and have no idea what happens next. Sort of the opposite of problem 3. Either you don't have an outline, or you ditched it a while back.
Actually, here's what seems to happen a lot - you were on a roll the day before, and you wrote a whole lot of promising developments and clever bits of business. And then you open your Word document today, and You thought you left things in a great place to pick up the ball and keep running, and now you can't even see the next step. If it's true that you were on a roll, and now you're stuck, then chances are you just need to pause and rethink, and maybe go back over what you already wrote. You may just need a couple days to recharge.
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Or you may need to rethink what you already wrote. If you've been stuck in the middle for a while, though, then you probably need to do something to get the story moving again. Introduce a new complication, throw the dice, or twist the knife. Mark Twain spent months stuck in the middle of Huckleberry Finn before he came up with the notion of having Huck and Jim take the wrong turn on the river and get lost.
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If you're stuck for a while, it may be time to drop a safe on someone. You have a terrible feeling your story took a wrong turn a hundred pages back, and you only just hit a dead end. This is the worst. You made a decision that felt bold and clever - you threw the dice and dropped a safe on someone - and now you're realizing that you made a horrible mistake and you've gone off course. Worse, you can see where your story should be right about now, if you hadn't made that dreadful error. If you're absolutely sure that you've gone the wrong way, then there's no point in going forward any further.
Is there any alternative to rewinding all the way to the original mistake and starting from there? Yes, but it might suck.